Back to List

Candida Höfer: Eine Monographie, Collector's Limited Edition (with Type-C Print) [SIGNED]

Publisher: München (Munich): Schirmer/Mosel Verlag, 2003
Edition: 1st Edition
Binding: Hardcover
ISBN: 3829600232
Condition: As New / As New
Item #: 114262

$3,000.00

Specifics

SPECIAL ORDER. PRICING & AVAILABILITY SUBJECT TO CHANGE. Price is net to all; promotional discounts do not apply.

SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout).

Limited slipcased edition of 100 hand-numbered copies (plate pasted-on front free endpaper notes edition number), with an original Type-C print, "Kupferstich-Kabinett Dresden VIII, 2002," image size 22.3 x 22.1 cm, paper size 26 x 24 cm (numbered and signed in pencil on verso by Höfer, print edition 100, printed in 2003 for this edition) in a separate cloth portfolio for presentation (protected in folded archival paper). Both the book and photograph (in cloth portfolio) fit inside the larger cloth slipcase.

About the book: First edition, first and only printing. Hardcover. Hardcover. Printed paper-covered boards, with debossed title blind-stamped on cover and stamped in white on spine, with dust jacket. Photographs by Candida Höfer. Texts (in French and German) by Michel Houellebecq and Ulf Poschardt. Includes a exhibition history, bibliography, and a list of plates. 252 pp., with 173 four-color plates, beautifully printed by Passavia, Passau, from separations made by NovaConcept, Berlin. 11 1/4 x 10 1/2 inches.

Condition

As New in publisher's original packaging.

Description

Candida Hofer's rooms are densely packed with the freight of every person who exhaled in its spaces before she arrived with her view camera and her sense of gravity, history, and keen awareness of the sites of intellectual discovery. Whether the spaces are ornate libraries or architectural wonders, the photographs stop time, creating a sense of living mortuaries. The spaces are ornate and breathing. The oppressive orderliness of the images suggests the layers of knowledge that history and time confer. There is a grandness to the work and a poignancy. At first, the photographs appear as documents, upon closer examination, they reveal their artifice, through highly controlled lighting and a depth of field that is startling and impossible.

From the publisher: "Candida Höfer, born in 1944, documents public buildings and urban environments. An early Becher student, Höfer depicts them without their visitors, thus capturing the intensity and intimacy of human occupation by the very absence of people. This monograph is the first comprehensive survey of her work to date."