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Lee Friedlander: Friedlander First Fifty, The Complete Collection, Limited Edition (with Gelatin Silver Print) [SIGNED]

Publisher: Brooklyn, New York: SPQR Editions and Haywire Press, 2019
Edition: 1st Edition
Binding: Hardcover
ISBN: 9781576879528
Condition: As New / No dust jacket as issued
Item #: 113717

$20,000.00

Specifics

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Lee Friedlander’s work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work.

From the publisher: (about the set) "Containing the largest collection of renowned American photographer Lee Friedlander’s own quotes ever published, Friedlander First Fifty offers a behind-the-scenes look at the photographer’s diverse oeuvre that contextualizes and brings new life to the work, for everyone from the casual art appreciator to the most ardent Friedlander fan.

Over a career spanning seven decades, Friedlander has produced an unrivaled photographic output documenting seemingly every aspect of the American “social landscape” (a term Friedlander coined), with a specific focus on creating books. “Books are my medium,” Friedlander has been quoted as saying.

Friedlander First Fifty provides an inside look at Friedlander’s first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander’s grandson, Giancarlo, and daughter, Anna, who co-published the book. The result is the most personal and candid look at Friedlander’s life and career to date, as told by the artist to his own family.

Published over a fifty-year period, from 1969-2018, the first fifty books describe the entirety of subject matter—from jazz musicians to factory workers to monuments to television screens—and genres—from self-portraits to street photographs to nudes to landscapes—for which Friedlander is known."

Condition

As New (all titles from Friedlander's personal archive). A Mint collection.

Description

1. Work from the Same House: Photographs and Etchings. By Lee Friedlander & Jim Dine. London: Trigram Press, Ltd., 1969. First edition, first printing. Signed by Friedlander. Soft cover. Laminated white wrappers with title printed on front and spine, no dust jacket as issued. Photographs by Friedlander. Etchings and text (untitled preface) by Jim Dine. Designed by Ass Benveniste, Trigram Press, London. Unpaginated (48 pp.), with 33 black and white plates printed on 70-lb. Ambassador White Art Double Crown coated paper by W&J Mackay & Co., Ltd., Chatham, Kent, England. 9-3/4 x 9-7/8. [Note: Reproduces the same pairings of photographs and etchings as the Photographs & Etchings portfolio (ref. 14. above), except for plates 8 (here the bottom part of the etching is radically cropped) and 15 (here only the top of this three-part etching is reproduced).] This collaborative artists' book reflects a visual dialogue presenting photographs by Lee Friedlander on the left-hand pages, with Dine's etchings facing them on the right side.

2. Self Portrait: Photographs by Lee Friedlander (First Edition). New City, New York: Haywire Press, 1970. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs and text (untitled preface) by Friedlander. Designed by Friedlander and Marvin Israel. Unpaginated (88 pp.) with 42 plates plus the cover image (not reproduced inside the book), printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 8-1/2 x 9-1/8 inches. Friedlander's Self-Portraits call attention to the complex, fractured and sometimes dissimulating interplay between various screens, shadows, reflections, lenses and the surfaces of the photographs themselves.

3. The American Monument. New York: The Eakins Press Foundation, 1976. First edition, first printing. Signed by Friedlander. Hardcover. Blue-green cloth-covered boards, with title stamped in black on cover and spine; assembled with metal pins; no dust jacket as issued. Photographs by Friedlander. Essay by Leslie George Katz. Designed by Leslie George Katz, Friedlander, and Richard Benson. Cover and typography by Lance Hidy. 170 pp., with 213 plates printed on fine heavy stock uncoated paper by the Meriden Gravure Company, Meriden, Connecticut, from halftone separations made by Richard Benson. Binding by George Wieck, Robert Burlen and Son, Massachusetts. Special binding was designed so that individual sheets could be removed and exhibited. 12 x 17 inches. This first edition was limited to 2000 copies.

4. Lee Friedlander: Photographs. New City, New York: Haywire Press, 1978. First edition, first printing. Signed by Friedlander. Hardcover. Navy blue cloth-covered boards with title stamped in silver on cover and spine; no dust jacket as issued. Photographs by Friedlander. Designed by John Berg. Unpaginated (106 pp.), with 137 plates printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 10-3/4 x 11-1/2 inches. Contains reproductions of Friedlander's most well known work, as well as numerous images rarely published elsewhere.

5. Flowers and Trees. New City, New York: Haywire Press, 1981. ISBN: 9990469792. First edition, first printing. Signed by Friedlander. Hardcover. Fine violet cloth-covered outer boards with title stamped in black on cover, with green cloth-covered interior boards enclosing spiral-bound sheets, no dust jacket as issued. Photographs and design by Friedlander. Typography by Katy Homans. Includes a list of plates. Unpaginated (88 pp.), with 40 plates printed on heavy matte art paper by Stinehour Press, Vermont, and Meriden Gravure Company, Meriden, Connecticut, from tritone separations made by Richard Benson. A large fold-over portfolio-like design with a special spiral binding by Robert Burlen & Son, Massachusetts. 14-3/8 x 11-1/4 inches. With exquisite reproductions, this is one of Friedlander's most beautifully designed and most difficult to find books. Gorgeous botanical photographs from Friedlander's travels in the United States, Japan, Europe and Mexico during the 1970s.

6. Factory Valleys, Ohio and Pennsylvania. New York: Callaway Editions, Inc., 1982. ISBN: 0935112049. First edition, first printing. Signed by Friedlander. Moss-green cloth-covered boards, with photographically illustrated dust jacket. Photographs by Friedlander. Afterword by Leslie George Katz. Includes a list of plates. Designed by Nicholas Callaway and Anne Kennedy. Typography by Leslie Miller and Crosby Typographers. Unpaginated (82 pp. including bound-in print), with 62 plates exquisitely printed in 300-line offset lithography on fine matte art paper by the Meriden Gravure Company, Connecticut, from halftone negatives made by Richard Benson. 11-1/4 x 11-1/4 inches. The first edition was limited to 1000 unnumbered signed cloth copies (plus 2000 soft cover copies). Considered by many to be one of Friedlander's best books!

7. Lee Friedlander: Portraits. Boston: Little, Brown and Company / A New York Graphic Society Book, 1985. ISBN: 0821216023. First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards with title stamped in silver on spine, with photographically illustrated dust jacket. Photographs by Friedlander. Foreword by R.B. Kitaj. Includes a list of plates. Designed by Howard I. Gralla. Unpaginated, with 71 plates, and 2 additional black and white frontispiece plates, beautifully printed on heavy fine matt art paper by The Meriden-Stinehour Press, Meriden, Connecticut from duotone separations made by Richard Benson. 10-1/4 x 11 inches.

8. Cray at Chippewa Falls, Limited Edition [SIGNED in Year of Publication] and Preview. Minneapolis, Minnesota: Cray Research, Inc., 1987. First edition, first and only printing. Limited edition of 500 signed copies (at time of publication). Signed in blue ink opposite the title page by Friedlander, in 1987. Hardcover. Full orange cloth-covered boards, with title printed on off-white paper label mounted on cover; no dust jacket as issued. Photographs by Friedlander. Text by Stuart Klipper. Designed by Chad Jewett and Jim Morgan. Includes a facsimile of the letter addressed to Friedlander from John A. Rollwagen, chairman and chief executive officer, Cray Research (p. 7). 96 pp. with 79 plates printed by Franklin Graphics, Providence, Rhode Island, from 300-line screen tritone negatives made by Richard Benson. Binding by A. Horowitz and Son. 12-3/8 x 11-5/8 inches. This book was commissioned as an in house publication by the president of Cray Research, on the occasion of the company's fifteenth anniversary. The book was never commercially available and was presented to company employees as a gift. The total print run was limited to 5000 total cloth copies (the 500 copies signed in the year of publication comprise the limited edition). Includes an As New copy of the four-page "Preview" publication, with 2 black and white plates, in matching stiff wrappers with self-closing flap. 12-3/8 x 11-5/8 inches.

9. Like a One-Eyed Cat: Photographs by Lee Friedlander 1956-1987. New York: Harry N. Abrams, Inc., in association with the Seattle Art Museum, Seattle, Washington, 1989. ISBN: 0810912740. First edition, first printing. Signed by Friedlander. Hardcover. Yellow cloth-covered boards, with title stamped in silver on spine, with photographically illustrated dust jacket. Photographs by Friedlander. Essay by Rod Slemmons. Designed by Katy Homans, New York. Binding by Horowitz/Rae, Fairfield, New Jersey. A selected bibliography, list of exhibitions and awards is also included. 120 pp. with 153 plates printed by Litho Specialties, St. Paul, Minnesota, from tritone separations made by Richard Benson. 11-3/4 x 12-1/4 inches. Published on the occasion of the exhibition Like a One-Eyed Cat: Photographs by Lee Friedlander 1956-1987 in 1989 at the Seattle Art Museum (traveled to numerous venues). A beautifully reproduced first major retrospective monograph of Friedlander's work over a 30-year period. Includes works from Friedlander's previous publications including Self-Portrait (1970), The American Monument (1976), Photographs (1978), Flowers and Trees (1981), Factory Valleys (1981), Portraits (1985) and Cray at Chippewa Falls (1987). This first edition was limited to 5000 cloth copies.

10. Nudes. New York: Pantheon Books, a division of Random House, Inc., 1991. ISBN: 0224030523. First edition (first American edition, simultaneously published in Great Britain by Jonathan Cape, London), first printing. Signed by Friedlander. Hardcover. Full maroon cloth-covered boards with title stamped in gilt on spine, with photographically illustrated dust jacket. Photographs by Friedlander. Afterword by Ingrid Sischy. Sequence by John Szarkowski with Mark Holborn and Friedlander. Designed by Catherine Mills. 108 pp., with 84 tritone plates printed on coated heavy paper by Franklin Graphics, Providence, Rhode Island, from separations by Richard Benson and Thomas Palmer. 9-7/8 x 11 inches. Published on the occasion of an exhibition at The Museum of Modern Art, New York. This first edition was limited to 8000 copies.

11. Maria: Photographs by Lee Friedlander (A Smithsonian Series). Washington, D.C.: Smithsonian Institution Press, in association with Constance Sullivan Editions, 1992. ISBN: 1560982071. First English edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs by Friedlander. Interview with Friedlander by Constance Sullivan. Edited by Constance Sullivan and Susan Weiley. Designed by Katy Homans, New York. Includes a biography by Richard B. Woodward. 64 pp., with 30 plates, printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 10 x 8-3/8 inches. From the the series Photographers at Work. This first edition was limited to 5000 copies.

12. Lee Friedlander: The Jazz People of New Orleans [SIGNED]. New York: Pantheon Books, 1992. ISBN: 0679416382. First edition (first American edition, simultaneously published in Great Britain by Jonathan Cape, London), first printing. Signed by Friedlander. Hardcover. Full red cloth-covered boards with title debossed on cover and spine; with photographically illustrated dust jacket. Photographs by Friedlander. Afterword by Whitney Balliett. Edited by Friedlander and Mark Holborn. Designed by Katy Homans, New York. 120 pp., with 94 plates, printed by Amilcare Pizzi, Milan, from duotone separations made by Richard Benson and Thomas Palmer. 9-1/9 x 11-1/4 inches. This first edition was limited to 10,000 cloth copies.

13. Letters from the People. New York: D.A.P./Distributed Art Publishers, Inc., 1993. ISBN: 1891024876. First edition, first printing. Signed by Friedlander. Hardcover. Full black cloth, with printed dust jacket. Photographs by Friedlander. Designed by Katy Homans. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. This first edition was limited to 3000 cloth copies (plus 250 signed and numbered copies for the limited edition).

14. The Desert Seen. New York: D.A.P./Distributed Art Publishers, Inc., 1996. ISBN: 1881616754. First edition, first printing. Signed by Friedlander. Hardcover. Full yellow cloth-covered boards, with photographically illustrated dust jacket. Photographs, essay and compilation by Friedlander. Edited by Friedlander and Sharon Helgason Gallagher. Designed by Katy Homans. Title by Thomas Roma. 108 pp. with 94 plates, printed by Meridian Printing, East Greenwich, Rhode Island, from tritone separations made by Thomas Palmer. 11 x 12 inches. This first edition was limited to 3000 cloth copies.

15. Self Portrait: Photographs by Lee Friedlander (Revised Second Edition). New York: D.A.P./Distributed Art Publishers, Inc., in association with Fraenkel Gallery, San Francisco, 1998. 2nd Edition. ISBN: 1881616967. 1970/1998. First edition thus (revised edition, originally published in 1970 by Haywire Press), first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs and a new preface (written July 1997) by Friedlander. Afterword by John Szarkowski. Designed by Pollen Design, New York. Unpaginated (100 pp.) with 46 plates (including four additional plates) printed on Lustro Dull Text paper by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Richard Benson. 9-3/8 x 10 inches. This revised second edition was limited to 4000 copies.

16. American Musicians. New York: D.A.P./Distributed Art Publishers, Inc., 1996. ISBN: 1881616754. First edition, first and only printing. Signed by Friedlander. Hardcover. Full black cloth-covered boards, with title stamped in gilt on spine, with photographically illustrated dust jacket. Photographs and addendum by Lee Friedlander. Foreword by Joel Dorn. "Interview with Ruth Brown," by Friedlander and Nat Green, conducted November 15, 1997, New York City. "Interview with Steve Lacy," by Friedlander and Maria Friedlander, conducted November 9, 1997, New York City. Designed by Katy Homans. Includes an index of musicians' names and numbered references to photographs. 296 pp., with numerous four-color and black-and-white plates (514 total reproductions), printed by Palace Press International, China. 10-1/4 x 9-5/8 inches. This first edition was limited to 7000 cloth copies (plus 5000 soft cover copies).

17. Lee Friedlander (Fraenkel Gallery). San Francisco: Fraenkel Gallery, 2000. ISBN: 1891024191. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers. Photographs by Friedlander. Text by John Szarkowski. Designed by Catherine Mills Design, Seattle. 96 pp. with 77 plates printed by Meridian Printing, Rhode Island from duotone separations made by Richard Benson. 9-1/4 x 9-1/8 inches. This first edition was limited to 3300 total copies, of which 600 hardcover copies were signed and numbered for the limited edition (ref. #24 above).

18. The Little Screens. San Francisco: Fraenkel Gallery, 2001. ISBN: 1881337111. First edition, first and only printing. Signed by Friedlander. Hardcover. Photographically illustrated laminated paper-covered boards, with crystallographic dual-image tipped in to television-screen portion of the cover photograph, no dust jacket as issued. Photographs by Friedlander. Foreword by Walker Evans. 96 pp. with 34 plates printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 10 x 10 inches. This first edition was limited to 2000 total copies.

19. Kitaj. San Francisco: Fraenkel Gallery, 2002. ISBN: 1881337154. First edition, first printing. Signed by Friedlander and Kitaj. Hardcover. Photographically illustrated laminated full off-white paper-covered boards; no dust jacket as issued (for the trade edition). Photographs by Lee Friedlander. Foreword by Maria Friedlander. Afterword by R.B. Kitaj. Designed by Catherine Mills Design, Seattle. 120 pp. with 94 plates printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 9 3/4 x 9 3/4 inches. This first edition was limited to 2000 total copies.

20. At Work. New York: D.A.P./Distributed Art Publishers, Inc., 2002. ISBN: 1891024485. First edition, first printing. Signed by Friedlander. Hardcover. Full gray cloth-covered boards, with debossed title, with photographically illustrated dust jacket. Photographs and text by Friedlander. Afterword by Richard Benson. Designed by Katy Homans. 96 pp., with 193 plates (231 total reproductions), printed by Steidl, Göttingen, Germany. 12-1/4 x 11-5/8 inches. This first edition was limited to 3000 copies. Includes photographs from the following series: Factory Valleys; Gund Foundation; Cray, Chippewa Falls; MIT; Dreyfus; Telemarketing (some photographs have been reproduced in previous publications of the same name, such as Factory Valleys and Cray at Chippewa Falls). ISBN: 1891024485.

21. Staglieno. Tucson, Arizona: Nazraeli Press, 2002. ISBN: 1590050398. First edition, first and only printing. Signed by Friedlander. Hardcover. Full burgundy velvet-covered boards, with offset reproduction mounted on the front cover; no dust jacket as issued. Photographs by Lee Friedlander. Introduction by Peter Galassi. Afterword by Maria Friedlander. Designed by Friedlander and Chris Pichler. 56 pp., with 48 plates, printed on fine matte paper by Oceanic Graphic Productions, China. 12 x 11-1/4 inches. This first edition was limited to 2000 copies.

22. Stems. New York: D.A.P./Distributed Art Publishers, Inc., 2003. ISBN: 1891024752. First edition, first and only printing. Signed by Friedlander. Hardcover. Full bright lime-green linen cloth-covered boards, with offset reproduction mounted on the front cover; title stamped in black and silver on cover and spine; no dust jacket as issued. Photographs and introduction by Friedlander. Edited by Lori Waxman. Designed by Katy Homans. 92 pp., with 65 plates, printed with a special drytrap process by Meridian Printing, East Greenwich, Rhode Island, from quadtone separations made by Thomas Palmer. 12-1/4 x 10-3/8 inches. This first edition was limited to 2000 copies.

23. Family. San Francisco: Fraenkel Gallery, 2004. ISBN: 1881337189. First edition, first printing. Hardcover. Signed by Friedlander. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Foreword by Maria Friedlander. Additional brief texts by Johnny Hartmann, Halldor Laxness, and William Kentridge. Designed by Catherine Mille Design, Seattle, Washington. 144 pp., with 192 plates (many printed several reproductions to a page), Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 10-5/8 x 10-1/8 inches. This first edition was limited to 2000 total copies.

24. Sticks & Stones: Architectural America. San Francisco and New York: Fraenkel Gallery and D.A.P./Distributed Art Publishers, Inc., 2004. ISBN: 1891024973. First edition, first printing. Signed by Friedlander. Hardcover. Full mustard-yellow cloth-covered boards, with title stamped in black on spine, with dust jacket. Photographs by Friedlander. Essay by James Enyeart. Designed by Katy Homans. Managing editor Lori Waxman. Includes a list of plates. 210 pp., with 196 plates, printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 12-3/4 x 12 inches. This first edition was limited to 6000 total copies.

25. Friedlander (MoMA). New York: The Museum of Modern Art (MoMA, New York), 2005. ISBN: 0870703439. First edition, first printing. Signed by Friedlander. Hardcover. Full black cloth-covered boards with title stamped in yellow on spine, with photographically illustrated dust jacket. Photographs by Friedlander. Essays by Peter Galassi and Richard Benson. Edited by David Frankel. Includes a note on the prints, an extensive, illustrated and annotated bibliography of Friedlander's books, special editions and portfolios compiled by Dalia Azim, a chronology, artist's bibliography and list of plates. Designed by Katy Homans. 480 pp., profusely illustrated with 850 reproductions (approximately 350 plates from duotone separations by Thomas Plamer, and 25 color illustrations), printed on 150 gsm New-G Matt art paper by Oceanic Graphic Printing, Inc., China. 13 x 12 inches. Published on the occasion of the 2005 major retrospective exhibition "Friedlander" at The Museum of Modern Art, New York.

26. Self Portrait: Photographs by Lee Friedlander (Revised Third Edition). New York: The Museum of Modern Art, 2005. 3rd Edition. ISBN: 0870703382. 1970/2005. Third edition (revised edition, originally published in 1970 by Haywire Press), first printing. Signed by Friedlander. Hardcover. Full black cloth-covered boards, with title debased on cover and stamped in silver on spine, with photographically illustrated dust jacket. Photographs and text (original preface written in February 1970 and revised preface written July 1997 for the second edition) by Friedlander. Afterword by John Szarkowski. Original design by Friedlander and Marvin Israel, adapted for this edition by Amanda Washburn. Unpaginated (104 pp.) with 46 plates (including four plates added for the second edition), plus 3 additional plates, including a portrait of John Szarkowski and Richard Benson made in 1997 by Friedlander, printed on 150 gsm Parilux Silk paper, and bound, by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Richard Benson. 9-5/8 x 10-1/2 inches.

27. Apples and Olives. San Francisco and Zürich (Zurich): Fraenkel Gallery and Hasselblad Foundation, 2005. ISBN: 9781933045320. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. Unpaginated (64 pp.), with 55 plates, printed on matte art paper printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 10-1/2 x 9-7/8 inches.

28. Cherry Blossom Time in Japan: The Complete Works. San Francisco: Fraenkel Gallery, 2006. ISBN: 1881337201. First edition, first printing. Signed by Friedlander. Hardcover. Full brilliant green and fuchsia paper-covered boards, with bold calligraphic emblem title printed in black on both covers, and again printed in green and fuschia on black spine. Photographs by Friedlander. Includes a list of plates. Calligraphy by Shuntei Taniguchi. Designed by Katy Homans. 160 pp., with 73 plates printed with a special drytrap process on heavy matte art paper by Danny Frank of Meridian Printing, East Greenwich, Rhode Island, from tritone separations made by Thomas Palmer. 8-1/4 x 11-1/4 inches. The book is really two books bound together, and can be read in two directions; one half features horizontally oriented plates and text, while the other half is vertically oriented. Each section proceeds from its cover to center, where they meet with a list of plates and colophon page.

29. Photographs: Frederick Law Olmsted, Landscapes. New York: D.A.P. / Distributed Art Publishers, Inc., 2008. ISBN: 1933045736. First edition, first printing. Signed by Friedlander. Hardcover. Full ochre cloth covered boards, with offset reproduction mounted on the front cover; title stamped in silver and gold on the cover; no dust jacket as issued. Photographs and text by Friedlander. Includes captions to the plates. Designed by Katy Homans. Unpaginated (84 pp.), with 89 plates printed with a special drytrap process on heavy matte art paper, under the supervision of Daniel Frank of Meridian Printing, East Greenwich, Rhode Island, from tritone separations by Thomas Palmer. 13 x 13-5/8 inches.

30. New Mexico. Santa Fe, New Mexico: Radius Books, 2008. ISBN: 1934435112. First edition, first printing. Signed by Friedlander. Heavy cardboard wrappers with title blind-stamped on cover; no dust jacket as issued. Photographs by Friedlander. Foreword by Andrew Smith. Essay by Emily Ballew Neff. Designed by Skolkin + Chickey. 76 pp., with 51 plates printed in China on heavy matt art paper by Oceanic Graphic Printing, Inc., from duotone separations made by Thomas Palmer. 12-1/4 x 11-3/8 inches. Published in conjunction with an exhibition at Andrew Smith Gallery, Santa Fe, New Mexico.

31. Raoul Hague, His Work and Place, a Memoir (Witness Number Six: Lee Friedlander). New York: Joy of Giving Something, Inc. (JGS) with distribution by Nazraeli Press, Portland, Oregon, 2009. ISBN: 9781590052433. First edition, first printing. Signed by Friedlander. Hardcover. Black matte paper-covered boards with rust cloth-covered spine; with offset reproduction mounted on the front cover; title stamped in gray on cover; no dust jacket as issued. Photographs by Friedlander. Afterword by Maria Friedlander. Includes a list of plates and an illustrated overview of JGS activities in the arts. Unpaginated (96 pp.), with 157 duotone plates and additional illustrations. 12 x 9-1/2 inches.

32. America by Car. New York and San Francisco: D.A.P./Distributed Art Publishers, Inc. and Fraenkel Gallery, 2010. ISBN: 9781935202073. First edition, first printing (trade edition). Signed by Friedlander. Hardcover. Cloth-covered boards with photographically illustrated dust jacket. Photographs by Friedlander. Includes a list of plates. Designed by Katy Homans. 200 pp., with 192 plates printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 10 x 9-7/8 inches.

33. Recent Western Landscape 2008-09 (Mary Boone Gallery), Limited Edition. New York: Mary Boone Gallery, 2010. ISBN: 9780980171532. First edition, first printing. Limited edition of 600 unnumbered copies. This copy additionally signed by Friedlander. Hardcover. Gray linen cloth-covered boards with offset plate mounted on the cover, and title stamped in green and silver on cover and spine; no dust jacket as issued. Photographs by Friedlander. Essay by Klaus Kertess. Includes a list of plates. Designed by Katy Homans. Unpaginated (36 pp.), with 25 plates printed on heavy matte paper by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. Printing supervised by Daniel Frank. 12-3/4 x 12 inches. Published on the occasion of an exhibition at Mary Boone Gallery, New York.

34. The New Cars 1964. San Francisco: Fraenkel Gallery, 2011. ISBN: 9781881337317. First edition, first printing. Signed by Friedlander. Hardcover. Full blue leatherette-covered boards with offset reproduction mounted on the front cover; with title in silver and gold on cover and spine; no dust jacket as issued. Photographs by Friedlander. Introduction by Jeffrey Fraenkel. Includes an illustrated list of plates. Designed by Katy Homans. Unpaginated (72 pp.), with 33 plates, plus 3 four-color reproductions and 32 additional black-and-white reproductions for a the list of plates, printed by Meridian Printing, East Greenwich, Rhode Island, from separations made by Thomas Palmer. 9-3/4 x 12 inches.

35. In the Picture: Self-Portraits 1958-2011. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2011. ISBN: 9780300177299. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated matte "rubber-like" paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Afterword by Richard Benson. Brief excerpt from a letter to Lee Friedlander from John Childs, October 15, 2010. Designed by Katy Homans. 380 pp., with over 400 plates printed by Meridian Printing under the supervision of Daniel Frank, from duotone separations by Thomas Palmer. 8-3/4 x 9-3/4 inches.

36. Mannequin. San Francisco: Fraenkel Gallery, 2012. ISBN: 9781881337324. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards with varnished title on cover and spine; no dust jacket as issued. Photographs by Friedlander. Includes a list of plates. Designed by Katy Homans. 112 pp., with 103 plates printed on matt art paper by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 13-1/4 x 9-1/4 inches.

37. The Nudes: A Second Look. New York: D.A.P./Distributed Art Publishers, Inc., 2013. ISBN: 9781938922008. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. 168 pp., with 84 plates printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 9-3/4 x 11 inches.

38. JFK: A Photographic Memoir. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2013. ISBN: 9780300191080. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. 60 pp., with 49 plates printed by Meridian Printing, East Greenwich, Rhode Island, from tritone separations made by Thomas Palmer. 8-1/2 x 9-1/8 inches.

39. Playing for the Benefit of the Band: New Orleans Music Culture. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2014. ISBN: 9780300204407. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. 207 pp., with 202 plates printed by Meridian Printing, East Greenwich, Rhode Island, from tritone separations made by Thomas Palmer. 9-5/8 x 11 inches.

40. Family In the Picture: Self-Portraits 1958-2013. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2014. ISBN: 9780300204834. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated matte "rubber-like" paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. 378 pp., with over 350 plates printed by Meridian Printing, East Greenwich, Rhode Island, under the supervision of Daniel Frank, from duotone separations made by Thomas Palmer. 8-3/4 x 9-3/4 inches.

41. Dressing Up: Fashion Week NYC. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2015. ISBN: 9780300179859. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Incudes a conversation between Friedlander and Kathy Ryan, director of photography for the New York Times Magazine. Designed by Katy Homans. 80 pp., with 59 plates printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 13-1/4 x 11-1/4 inches.

42. Portraits: The Human Clay. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2015. ISBN: 9780300215205. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. 224 pp., with 234 duotone plates. 9-5/8 x 11 inches.

43. Children: The Human Clay. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2015. ISBN: 9780300215199. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. 214 pp., with 202 duotone plates. 9-5/8 x 11 inches.

44. Prayer Pilgrimage for Freedom: Photographs by Lee Friedlander. New York: The Eakins Press Foundation, 2015. ISBN: 9780871300713. First edition, first printing. Signed by Friedlander. Hardcover. Full red cloth-covered boards, with offset reproduction mounted on the front cover; title stamped in black and gold on cover and spine; no dust jacket as issued. Photographs by Friedlander. Contributions by Martin Luther King, Jr., A. Philip Randolph and Roy Wilkins. Design and typography by Katy Homans. Binding by Riverside Bindery. 88 pp., with 58 plates, plus 11 historical documents, printed by Meridian Printing, East Greenwich, Rhode Island, under the supervision of Daniel Frank, from duotone separations made by Thomas Palmer. 8-1/2 x 9 inches.

45. Street: The Human Clay. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2016. ISBN: 9780300221770. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. 216 pp., with 206 duotone plates. 9-5/8 x 11 inches.

46. Western Landscapes. New Haven, Connecticut: Yale University Press, 2016. ISBN: 9780300223019. First edition, first printing. Signed in black ink on the title page by Friedlander. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs by Lee Friedlander. Essay by Richard Benson. Afterword by Jock Reynolds. 200 pp., with 189 tritone plates. 15-3/8 x 14 inches.

47. Parties: The Human Clay. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2016. ISBN: 9780300221787. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. 188 pp., with 172 duotone plates. 9-5/8 x 11 inches.

48. The American Monument (Eakins Press Reissue). New York: The Eakins Press Foundation, 2017. ISBN: 9780871300720. Second edition of 2000 copies (same as the 1976 first edition). Signed by Friedlander. Hardcover. Light green cloth, with title stamped in black and gilt on cover and spine, post-bound and assembled with removable metal pins; no dust jacket as issued. Photographs by Friedlander. Essays by Leslie George Katz and Peter Galassi. Design and typography by Katy Homans based on the original concept devised by Lance Hidy and Leslie George Katz. 170 pp., with 213 duotone plates printed on fine heavy stock un-coated paper by the Meriden Gravure Company, Meriden, Connecticut, from halftone separations made by Thomas Palmer, under the supervision of Daniel Frank. Binding by Roswell Bookbinding, Arizona. Special binding was designed so that individual sheets could be removed and exhibited. 12 x 17 inches.

49. Chain Link. Göttingen, Germany: Steidl Verlag, 2017. ISBN: 9783958292598. First edition, first printing. Signed by Friedlander. Hardcover. Photographs by Lee Friedlander. 140 pp., with 97 tritone plates. 10 x 11 inches.

50. Dog's Best Friend, A Pet Project. Brooklyn, New York: SPQR Editions, 2017. ISBN: 9780997530667. First edition, first printing. Signed in blue ink on the half-title page by Friedlander. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. Design and typography by Katy Homans 108 pp., with 100 duotone plates printed from halftone separations made by Thomas Palmer. Printing and Binding by Industria Grafica SI.Z., Verona, Italy. 9-3/4 x 11-3/4 inches.

51. Friedlander First Fifty. Brooklyn, New York: SPQR Editions and Haywire Press, 2019. This special edition, comprised of a signed copy of "Friedlander First Fifty" and an original gelatin silver print of the cover image, is limited to fifty copies. The image size of the print is 5 x 7-3/8 inches. Each print is signed on verso by Friedlander. The print is housed in a blue cloth-covered folio alongside a signed copy of the book within a blue cloth-covered slipcase with "FFF" stamped in gold on the front. About the Book: First edition, first printing. Signed by Friedlander on the title page. Hardcover. White photographically-illustrated laminated paper-covered boards; no dust jacket as issued. Photographs by Lee Friedlander. Introduction by Giancarlo T. Roma. Designed by Anna Roma and Marvin Hoshino. Includes an index of photographs and list of titles. 176 pp., with duotone plates throughout. Printed by Industria Grafica Si.Z., Verona, Italy. 8-3/4 x 9-1/4 inches.