Publisher: New York: The Museum of Modern Art (MoMA, New York), 2017
Edition: 1st Edition
Condition: New / No dust jacket as issued
Item #: 113269
First edition, first printing. Signed in black marker on the title page by Shore. Hardcover. Fine gray cloth with title and text stamped in black on the covers and spine, with a four-color plate tipped in front cover; no dust jacket as issued. Photographs by Stephen Shore. Edited by Quentin Bajac. Essays by Quentin Bajac, David Campany, Kristen Gaylord, Martino Stierli. 336 pp., with 450 four-color and black-and-white reproductions. 10-1/2 inches x 9 inches.
New (opened only for signature).
From the publisher: "One of the most influential photographers of our time, Stephen Shore has often been categorized as one of a group of artists of the 1970s who captured American popular culture in straightforward, unglamorous color images. While this is true, it is only part of the story: Shore has worked with many forms of photography, switching from cheap automatic cameras to large format in the 1970s, pioneering the use of color film before returning to black and white in the 1990s, and, in the 2000s, taking up the opportunities offered by digital photography, digital printing and social media.
Published to accompany the first comprehensive survey of Stephen Shore’s work in the US, this catalog reflects the full range of his contribution, including the gelatin silver prints he made as a teenager (and sold to The Museum of Modern Art); his photographs of the scene at Andy Warhol’s Factory, in New York; the color images he made during cross-country road trips in the 1970s; his recent explorations of Israel, the West Bank and Ukraine; and his current work on digital platforms, including Instagram.
This book offers a fresh, kaleidoscopic vision of the artist’s extensive career, presenting more than 400 reproductions arranged in a thematic framework, each grouping accompanied by a short but wide-ranging essay. This unique encyclopedia-style format makes visible the artist’s versatility of technique and the diversity of his output, reflecting his singular vision and uncompromising pursuit of photography’s possibilities."