Back to List

Arbus Friedlander Winogrand: New Documents, 1967 [SIGNED by Lee Friedlander]

Publisher: New York: Museum of Modern Art (MoMA), 2017
Edition: 1st Edition
Binding: Hardcover
ISBN: 9780870709555
Condition: New / No dust jacket as issued
Item #: 113109

$150.00

Add to Cart Add to Wish List Ask a Question

Specifics

Price is net to all; promotional discounts do not apply.

First edition, first printing. Signed by Friedlander on the title page. Hardcover. Black cloth-covered boards with title debossed on cover and stamped in silver on the spine; with photographically illustrarted dust jacket. Photographs by Diane Arbus, Lee Friedlander and Garry Winogrand. Text by John Szarkowski. Foreword by Glenn D. Lowry. Essays by Sarah Hermanson Meister and Max Kozloff. 168 pp., with 94 black-and-white plates. 10-1/2 x 9 inches.

Condition

New (from Friedlander's personal archive).

Description

From the publisher: "In 1967, The Museum of Modern Art presented New Documents, a landmark exhibition organized by John Szarkowski that brought together a selection of works by three photographers whose individual achievements signaled the artistic potential for the medium in the 1960s and beyond: Diane Arbus, Lee Friedlander and Garry Winogrand. Though largely unknown at the time, these three photographers are now universally acknowledged as artists of singular talent within the history of photography. The exhibition articulated a profound shift in the landscape of 20th-century photography, and interest in the exhibition has only continued to expand. Yet, until now, there has been no publication that captures its content. Published in celebration of the 50th anniversary of the exhibition, Arbus Friedlander Winogrand features full-page reproductions of the 94 photographs included in the exhibition, along with Szarkowski's original wall text, press release, installation views and an abundance of archival material. Essays by curator Sarah Hermanson Meister and critic Max Kozloff, who originally reviewed the exhibition for The Nation in 1967, critically situate the exhibition and its reception, and examine its lasting influence on the field of photography."