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Robert Adams: The Complete Collection of 55 Books and Catalogues [All Titles SIGNED, First Edition, First Printing, in Fine or As New Condition; Some Titles Limited Editions; Includes Additional Ephemera]

Publisher: Various: Various, 1970-2015
Edition: 1st Edition
Binding: Hardcover
Condition: Fine / Fine
Item #: 112624

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A complete collection of books and exhibition catalogues on the work of Robert Adams. All titles first edition, first printing. All titles signed by Adams.

Condition

Fine.

Description

1. White Churches of the Plains: Examples from Colorado [SIGNED]. Boulder, Colorado: Colorado Associated University Press, 1970. First edition, first printing. Signed in black ink on the half-title page by Adams. Hardcover. Fine cloth with title stamped in gilt on spine, with photographically illustrated dust jacket. Photographs and text by Robert Adams. Foreword by Thomas Hornsby Ferril. Designed by Helen Gentry. Unpaginated, with 57 black-and-white plates. 10-1/4 x 8-3/4 inches. Out of print. A rare signed copy. Robert Adams' extremely scarce first book.

2. The Architecture and Art of Early Hispanic Colorado [SIGNED]. Boulder, Colorado: Colorado Associated University Press, 1974. First edition, first printing. Signed in pencil on the title page by Adams. Hardcover. Ochre cloth-covered boards with title stamped in black on spine; with photographically illustrated dust jacket. Photographs and text by Robert Adams. 244 pp., with toned black-and-white plates throughout. 9 x 8-3/4 inches.

3. The New West, Landscapes Along the Colorado Front Range (First Edition) [SIGNED]. Boulder, Colorado: Colorado Associated University Press, 1974. First edition, first printing. Signed in pencil on the title page by Adams. Hardcover. Fine cloth, with photographically illustrated dust jacket. Photographs, introduction and additional text by Robert Adams. Foreword by John Szarkowski. 122 pp., with 56 black-and-white plates. 9-1/4 x 10 inches. [Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), and in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).] Out of print. Extremely scarce.

4. Denver: A Photographic Survey of the Metropolitan Area [SIGNED]. Boulder, Colorado: Colorado Associated University Press, 1977. First edition, first printing. Signed in pencil on the title page by Adams. Hardcover. Black cloth-covered boards with title stamped in white on cover and spine; with photographically illustrated dust jacket. Photographs and text by Robert Adams. 124 pp., with 92 black-and-white plates. 9 x 10-3/4 inches.

5. Prairie (First Edition) [SIGNED]. Denver: Denver Art Museum, 1978. First edition, first printing. Signed in pencil on the title page by Adams. Soft cover. Printed blue wrappers; no dust jacket as issued. Photographs and text by Robert Adams. Foreword by Thomas T. Maytham. Includes a list of plates. Unpaginated (48 pp.), with 33 black-and-white plates printed by Rapoport Printing Corporation, New York. 8 x 9 inches.

6. From The Missouri West: Photographs by Robert Adams [SIGNED]. New York: Aperture Foundation, Inc., 1980. First edition, first printing. Signed in black ink on the front free endpaper by Adams. Hardcover. Light brown cloth-covered boards, with photographically illustrated dust jacket. Photographs and text by Robert Adams. Includes a list of plates. Unpaginated (64 pp.), with 47 black-and-white plates finely printed in Connecticut by The Meriden Gravure Company. 9-1/4 x 11-1/4 inches.

7. Our Lives and Our Children: Photographs Taken Near the Rocky Flats Nuclear Weapons Plant [SIGNED]. New York: Aperture Foundation, Inc., 1982. ISBN: 0893811424. First edition, first printing. Signed by Adams. Soft cover. Photographically illustrated laminated wrappers. Photographs and text by Robert Adams. Includes a brief biography. Unpaginated (96 pp.), with 74 black and white plates finely printed by the Meriden Gravure Company. 11 x 8-1/2 inches. Out of print. Extremely scarce.

8. Summer Nights (1st Edition) [SIGNED]. New York: Aperture Foundation, Inc., 1985. ISBN: 0893811416. First edition, first printing. Signed in black ink on the half-title page by Adams. Hardcover. Black cloth-covered boards with title debossed on cover and spine; with photographically illustrated dust jacket. Photographs by Robert Adams. Unpaginated, with 39 black-and-white plates. 9-1/2 x 9 inches.

9. Los Angeles Spring [SIGNED]. New York: Aperture Foundation, Inc., 1986. ISBN: 089381220X. First edition, first printing. Signed in black ink on the front free endpaper by Adams. Hardcover. Fine teal cloth-covered boards with title stamped in silver on cover and spine; with photographically illustrated dust jacket. Photographs and text by Robert Adams. Includes captions to the plates on a separate page. Unpaginated (60 pp.), with 56 duotone plates finely printed in Italy from negatives by Robert Hennessey. 10 x 12-1/4 inches.

10. Perfect Times, Perfect Places [SIGNED]. New York: Aperture Foundation, Inc., 1988. ISBN: 0893812994. First edition, first printing. Signed in pencil on the title page by Adams. Hardcover. Beige paper-covered boards quarter bound in linen, with title stamped in green on spine; with photographically illustrated dust jacket. Photographs by Robert Adams. Unpaginated, with 35 black-and-white plates. 9-3/4 x 11-1/2 inches. Dust jacket price clipped.

11. To Make It Home: Photographs of the American West (with obi) [SIGNED]. New York: Aperture Foundation, Inc., 1989. ISBN: 0893813516. First edition, first printing. Signed in black ink on the front free endpaper by Adams. Hardcover. Brown cloth-covered boards with title debossed on cover and spine; with photographically illustrated dust jacket. Photographs and text by Robert Adams. Includes a chronology, list of awards and exhibitions and a bibliography. 176 pp., with 136 duotone plates finely printed on coated paper in Germany by H. Stürtz, Würzburg. 11-3/4 x 10-1/2 inches. Published on the occasion of a major retrospective traveling exhibition organized by the Philadelphia Museum of Art.

12. Cottonwoods: Photographs by Robert Adams [SIGNED]. Washington, D.C.: Smithsonian Institution Press in association with Constance Sullivan Editions, 1994. ISBN: 1560985062. First edition, first printing. Signed in pencil on the title page by Adams. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs by Robert Adams. Edited by Constance Sullivan. Includes a biography. Designed by Katy Homans. 64 pp., with 30 black-and-white plates printed in Rhode Island by Meridian Printing. 10 x 8-1/2 inches.

13. Listening to the River: Seasons in the American West [SIGNED]. New York: Aperture Foundation, Inc., 1994. ISBN: 0893815659. First edition, first printing. Signed in black ink on the front free endpaper by Adams. Hardcover. Beige linen cloth-covered boards with title debossed in silver on spine; with photographically illustrated dust jacket. Photographs by Robert Adams. Poems by William Stafford. 112 pp., with duotone plates throughout. 10 x 13 inches. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]

14. West from the Columbia [SIGNED]. New York: Aperture Foundation, Inc., 1995. ISBN: 0893816426. First edition, first printing. Signed in black ink on the front free endpaper by Adams. Hardcover. Gray paper-covered boards with quarter-bound linen spine; with photographically illustrated dust jacket. Photographs and text by Robert Adams. Includes captions to the plates. 84 pp., with 57 tritone plates finely printed by Meridian Printing from separations by Robert Hennessey. 12-1/4 x 12-7/8 inches.

15. What We Bought: The New World, Scenes From the Denver Metropolitan Area 1970-1974 [SIGNED]. Hannover: Stiftung Niedersachsen, 1995. ISBN: 3891690940. First edition, first and only printing. Signed in pencil on the title page by Adams. Hardcover. Fine red cloth with title debossed on front cover and spine, with photographically illustrated dust jacket. Photographs and text (in German and English) by Robert Adams. Edited by Thomas Weski. Designed by Jörg Werner. Unpaginated, with 195 duotone plates, beautifully printed by Th. Schäfer Druckerei GmbH, Hannover, from separations made by Nova Concept, Berlin. 6-1/4 x 9-1/4 inches. Out of print. [Cited in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004).]

16. Beauty in Photography [SIGNED]. Millerton, New York: Aperture, 1996. ISBN: 0893810800. First edition, first printing. Signed by Adams. Soft cover. Text and photographs by Robert Adams. 112 pp., with 21 black-and-white plates. 8-1/2 x 5-7/8 inches.

17. Eden (with Letter) [SIGNED]. New York: Roth Horowitz, LLC, 1999. ISBN: 1564660680. First edition, first and only printing. Signed in black ink on the title page by Adams. Includes a letter from Robert Adams to Chris Pichler. Hardcover. Black paper-covered boards with title stamped in multiple colors, no dust jacket as issued. 36 pp., with 17 tritone plates on matte coated paper, beautifully printed by The Stinehour Press. 8-1/4 x 9-1/4 inches. This edition was limited to 1000 hardbound copies. [Cited in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004).] Out of print. Scarce.

18. Notes for Friends: Along Colorado Roads [SIGNED]. Boulder, Colorado: University Press of Colorado, 1999. ISBN: 9780870815454. First edition, first printing. Signed by Adams. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs and text by Robert Adams. 80 pp., with 59 duotone plates. 10-1/2 x 9-1/2 inches.

19. California: Views by Robert Adams of the Los Angeles Basin 1978-1983 [SIGNED]. San Francisco and New York: Fraenkel Gallery and Matthew Marks Gallery, 2000. ISBN: 1881337103. First edition, first and only printing. Signed by Adams. Beige cloth-covered boards, with photographically illustrated dust jacket. Photographs by Robert Adams. Text by Robert Hass. 132 pp. with 57 tritone plates. 9-3/4 x 11-1/2 inches. This edition was limited to 2850 hardbound copies.

20. The New West: Landscapes Along the Colorado Front Range (German Edition) [SIGNED] Ostfildern, Germany: Verlag der Buchhandlung Walther König, 2000. ISBN: 3883754242. First edition thus (German), first printing of this re-issued title. Signed in black ink on the front free endpaper by Adams. Hardcover. Fine cloth, with photographically illustrated dust jacket. Photographs and text by Robert Adams. Original 1974 Foreword by John Szarkowski and 1974 introduction by Robert Adams. Additional essay in this new edition by Heinz Liesbrock and an interview with Robert Adams in 2000 by Thomas Weski (in English). 218 pp., with 56 duotone plates. 9-1/4 x 10 inches. Out of print. Scarce.

21. The New West: Landscapes Along the Colorado Front Range (Second Edition) [SIGNED]. Ostfildern, Germany: Verlag der Buchhandlung Walther König, 2000. First edition thus (English), first printing of this re-issued title. Signed by Adams. Hardcover. Fine cloth, with photographically illustrated dust jacket. Photographs and text by Robert Adams. Original 1974 Foreword by John Szarkowski and 1974 introduction by Robert Adams. Additional essay in this new edition by Heinz Liesbrock and an interview with Robert Adams in 2000 by Thomas Weski (in English). 218 pp., with 56 duotone plates. 9-1/4 x 10 inches. Out of print. Scarce.

22. Bodhisattva [SIGNED]. Tucson, Arizona: Nazraeli Press, 2001. ISBN: 1590050118. First edition, first printing. A line from the poem ("They more than we") and the artist's initials ("R.A.") are written in pencil by Adams on the colophon page. Cloth, with debossed title in gilt, no dust jacket as issued. Photographs and text by Robert Adams. Epigram by Kathleen Raine. 32 pp. with 13 duotone plates. 9 x 6 inches. This first edition was limited to 1000 hardbound copies.

23. I Hear the Leaves and Love the Light [SIGNED]. Tucson, Arizona: Nazraeli Press, 2001. ISBN: 3923922701. First edition, first printing. Signed in pencil on the title page by Adams. Hardcover. Paper-covered boards, with dust jacket. Photographs and text by Robert Adams. 48 pp. with 32 duotone plates. 9-1/4 x 8-5/8 inches. This first edition was limited to 2000 hardbound copies.

24. Reinventing the West: Photographs of Ansel Adams and Robert Adams (Hardcover Edition) [SIGNED]. Andover, Massachusetts: Addison Gallery of American Art, Phillips Academy, 2002. ISBN: 1879886480. First edition, first printing. Signed in pencil on the title page by Robert Adams. Hardcover. Orange cloth-covered boards with title stamped in silver on spine; with photographically illustrated dust jacket. Photographs by Robert Adams and Ansel Adams. Essays by Adam Weinberg, Allison N. Kemmerer and John R. Stilgoe. 84 pp., with duotone plates. 11-3/4 x 9-3/4 inches.

25. Alders (One Picture Book #12), Limited Edition. Tucson, Arizona: Nazraeli Press, 2002. ISBN: 1590050320. First edition, first printing. Special limited edition of 500 copies hand-numbered and signed by Adams, with one original gelatin silver print (4 x 2-3/4 inches), printed by Rolfe Horn under the direction of Robert Adams, tipped in on page five. Hardcover. Paper-covered boards, no dust jacket as issued. Photographs by Robert Adams. Poetry by Carolyn Dunn. 16 pp., with 4 duotone plates and 3 poems. 7-1/2 x 5-3/4 inches.

26. Sunlight, Solitude, Democracy, Home [SIGNED]. Seattle, Washington: University of Washington Press, 2002. ISBN: 9780295982144. First edition, first printing. Signed in pencil on the title page by Adams. Soft cover, with photographically illustrated wrappers. Photographs by Robert Adams. 96 pp., with black-and-white plates. 10-1/4 x 8-1/2 inches.

27. Commercial/Residential: Landscapes Along the Colorado Front Range, 1968-1972 [SIGNED]. New York: PPP Editions, in association with Roth Horowitz LLC, 2003. ISBN: 0971548013. First edition, first and only printing. Signed in black ink on the title page by Adams. Hardcover. Black paper covered boards, with rubber-like material dust jacket with blind-embossed title. Photographs and text by Robert Adams. Designed by Alexander Gelman (Design Machine, New York) and Andrew Roth. Unpaginated, with 40 duotone plates (20 in each section), beautifully printed on heavy paper by Trifolio, Verona, Italy. 8-1/4 x 9-1/4 inches. This first edition was limited to 1000 copies.

28. No Small Journeys: Across Shopping Center Parking Lots, Down City Streets [SIGNED]. New York: Matthew Marks Gallery, 2003. ISBN: 1880146428. First edition, first printing. Signed in black ink on the title page by Adams. Soft cover. Photographically illustrated French-fold wrappers; no dust jacket as issued. Photographs by Robert Adams. Unpaginated (120 pp.), with 52 duotone plates beautifully printed in Italy. 10-1/2 x 9 inches. Published on the occasion of an exhibition at Matthew Marks Gallery.

29. Citigroup Photography Prize 2004: Robert Adams, Peter Fraser, David Goldblatt, Joel Sternfeld. London: The Photographers' Gallery, 2004. ISBN: 0907879675. First edition, first printing. Soft cover. Laminated wrappers., contained in a photographically illustrated cardstock slipcase. Photographs by Robert Adams, Peter Fraser, David Goldblatt and Joel Sternfeld. Forewords by Paul Wombell and Michael Kirkwood. Essays by Thomas Weski, Johanna Burton, Okwui Enwezor and Brian Wallis. Design by Spin. 100 pp., with 19 four-color and 13 black and white plates (and additional illustrations) finely printed on heavy coated paper by Graphicom Italia. 9-1/8 x 6-5/8 inches.

30. A Portrait in Landscapes [SIGNED]. Tucson, Arizona: Nazraeli Press, 2004. ISBN: 1590050738. First edition, first printing. Signed in black ink on the half-title page by Adams. Hardcover. Fine linen cloth, with debossed design and title on front cover and spine, with illustrated dust jacket. Photographs and introduction by Robert Adams. 52 pp., with 43 duotone plates, beautifully printed on fine matt art paper. 9 3/8 x 8 5/8 inches. This first edition was limited to 500 copies. Out of print (sold out upon release). Scarce.

31. Pine Valley [SIGNED]. Tucson, Arizona: Nazraeli Press, 2004. ISBN: 1590051009. First edition, first and only printing. Signed in black ink on the title page by Adams. Hardcover. Fine linen cloth, with debossed title on front cover and spine, with dust jacket. Photographs and introduction by Robert Adams. 48 pp., with 34 duotone plates, beautifully printed on fine matte art paper. 12 x 11-1/4 inches. This first edition was limited to 1000 copies.

32. Summer Nights (2005 Aperture Reissue) [SIGNED]. New York: Aperture, Inc., 2005. ISBN: 9780893811419. 1985/2005. First edition, second printing. Signed by Adams. Hardcover, with photographically illustrated dust jacket. Photographs by Robert Adams. Designed by Charles Mikolaycak. 48 pp., with 40 duotone plates printed in Italy from negatives by Robert Hennessey. 9-1/4 x 8-3/4 inches.

33. Turning Back: A Photographic Journal of Re-exploration [SIGNED]. San Francisco: Fraenkel Gallery, 2005. ISBN: 9781933045016. First edition, first printing. Tan cloth-covered boards with title stamped in black on spine; with photographically illustrated dust jacket. Photographs and text by Robert Adams. Includes a list of plates. Designed by Catherine Mills Design, Seattle. Unpaginated, with 164 tritone plates. 12 x 10 inches.

34. Along Some Rivers: Photographs and Conversations [SIGNED]. New York: Aperture Foundation, Inc., 2006. ISBN: 9781597110044. First edition, first printing. Signed in pencil on the title page by Adams. Hardcover. Blue cloth-covered boards; with photographically illustrated dust jacket. Photographs by Robert Adams. Foreword by Richard B. Woodward. Conversations between Robert Adams and various colleagues, friends and students, including Constance Sullivan, Thomas Weski, William McEwen, Peter Brown and Eric Paddock. 96 pp., with 28 duotone plates. 8-1/4 x 5-1/2 inches.

35. Interiors, 1973-74 [SIGNED]. Tucson, Arizona: Nazraeli Press, 2006. ISBN: 1590050649. First edition, first printing. Signed in pencil on the title page by Adams. Hardcover. Custom-designed cloth presentation case with fine, pale olive cloth-covered boards with title stamped in beige on front cover, with printed loose sheets collated in a foldover paper enclosure (attached to inside rear board), no dust jacket as issued. Photographs and text by Robert Adams. 24 duotone plates on 27 total unbound coated matte heavy stock sheets (each 14 x 11 inches). Presentation case 14-3/8 x 11-3/8 inches. This first was edition limited to 1000 copies. Published in cooperation with Fraenkel Gallery.

36. Still Lives at Manzanita [SIGNED]. Tucson, Arizona: Nazraeli Press, 2006. ISBN: 1590051548. First edition, first printing. Signed in black ink on the title page by Adams. Hardcover. Fine Japanese linen cloth, with title blind-stamped on spine, with illustrated dust jacket. Photographs and text by Robert Adams. 44 pp., with 1 four-color and 17 duotone plates, beautifully printed on fine matte art paper. 9-3/8 x 8-5/8 inches. This first edition was limited to 500 copies.

37. Time Passes (Fondation Cartier pour l'art contemporain) [SIGNED]. Paris: Fondation Cartier pour l'art contemporain, 2007. ISBN: 9782869250789. First edition, first printing. Signed by Adams. Hardcover. Pale green cloth-covered boards with title stamped in silver on cover and spine; with photographically illustrated dust jacket and 2-inch printed vellum obi. Photographs by Robert Adams. Text in English and French. Unpaginated (72 pp.), with 32 black-and-white plates beautifully printed in Germany by Steidl, Göttingen. 11-1/4 x 10 inches. Published on the occasion of an exhibition at Fondation Cartier, Paris.

38. Close at Hand, Limited Edition [SIGNED]. Revere, Pennsylvania: Lodima Press, 2008. ISBN: 9781888899476. First edition, first printing. Limited edition of 100 signed and numbered copies. Signed by Adams. Hardcover. Fine linen cloth-covered boards with title stamped in brown on cover and spine; no dust jacket as issued. Photographs and text by Robert Adams. 24 pp., with 21 black-and-white plates printed by SALTO in 600-line screen quadtone. 8-5/8 x 9-5/8 inches. This first edition was limited to 1000 copies.

39. Robert Adams: Questions for an Overcast Day [SIGNED]. San Francisco and New York: Fraenkel Gallery and Matthew Marks Gallery, 2008. ISBN: 1880146460. First edition, first printing. Signed in pencil on the title page by Adams. Soft cover. White wrappers with photographically illustrated dust jacket and printed obi (wrap-around band). Photographs and text by Robert Adams. 76 pp., with 33 black-and-white plates. 9-5/8 x 6-7/8 inches.

40. Denver: A Photographic Survey of the Metropolitan Area, 1970-1974 (Revised & Expanded Edition) [SIGNED]. New Haven, Connecticut: Yale University Art Gallery, 2009. ISBN: 9780300141368. First edition, first printing. Signed in pencil on the title page by Adams. Hardcover. Brown cloth-covered boards; with photographically illustrated dust jacket. Photographs by Robert Adams. Unpaginated, with 117 tritone plates. 8 x 9-1/4 inches.

41. Four Broadsides, Limited Edition [From Summer Nights, Walking, Revised & Expanded Edition (New Haven: Yale University Art Gallery, 2009)]. New Haven, Connecticut: Late August Press, 2009. Special limited edition of four unbound broadsides, issued to mark the 2009 publication of Summer Nights, Walking, Revised & Expanded Edition, together with glassine interleaving, contained in a custom navy blue trifold folio with letterpress label tipped in. Photographs by Robert Adams. Additional text by Zbigniew Herbert, William Blake, A. R. Ammons and Emily Dickinson. Four tritone plates created by Thomas Palmer and printed drytrap (using slightly more open and larger plates than those used on Summer Nights, Walking) on heavy matt paper by Meridian Printing, East Greenwich, Rhode Island. The text was printed double impression letterpress by Michael and Winifred Bixler, using lead type, which gives the letters a crispness and depth of impression that can't be matched by synthetic polymer plates. Each plate is approximately 6-1/2 x 6-1/2 inches, on 17 x 10-1/2 inch paper. This first edition was limited to 500 copies.

42. Summer Nights, Walking (Revised & Expanded Edition), Limited Edition. New York: Aperture Foundation, Inc., together with the Yale University Art Gallery, New Haven, Connecticut, 2009. ISBN: 9781597111171. First edition, first printing. Limited slipcased edition of 150 copies, signed and numbered by Adams in black ink on a letterpress label pasted to the inside of the rear board. Hardcover. Fine black cloth-covered boards with title stamped in silver on cover and spine; no dust jacket as issued; contained in a matching slipcase. Photographs and text by Robert Adams. Additional text by William Blake and Emily Dickinson. Designed by Katy Homans. Unpaginated (80 pp.), with 68 tritone plates beautifully printed on heavy matt paper by Meridian, East Greenwich, Rhode Island, from separations by Thomas Palmer. The plates were reproduced from Robert Adams' master sets at the Yale University Art Gallery. 9-1/8 x 9-1/8 inches.

43. What We Bought: The New World: Scenes from the Denver Metropolitan Area, 1970-1974 (Revised & Expanded Edition) [SIGNED]. New Haven, Connecticut: Yale University Art Gallery, 2009. ISBN: 9780300149630. First edition, first printing. Signed in pencil on the title page by Adams. Hardcover. Red cloth-covered boards; with photographically illustrated dust jacket. Photographs by Robert Adams. Unpaginated, with 193 tritone plates. 8 x 9-1/4 inches.

44. Gone? Colorado in the 1980s [SIGNED]. Göttingen, Germany and San Francisco: Steidl Photography International and Fraenkel Gallery, 2010. ISBN: 9783865219176. First edition, first printing. Signed in pencil on the front free endpaper by Adams. Hardcover. Ecru cloth-covered boards; with photographically illustrated dust jacket. Photographs by Robert Adams. Afterword by Heinz Liesbrock. 116 pp., with 100 black-and-white plates. 10-1/4 x 10-1/4 inches.

45. The Place We Live, A Retrospective Selection of Photographs, 1964-2009 (Three Volumes) [SIGNED & INSCRIBED, Volume One]. New Haven, Connecticut: Yale University Art Gallery / Yale University Press, 2010. ISBN: 9780300141375. First edition, first printing. Volume One signed and inscribed on the title page in black ink by Adams. Three volumes, sharing the following format: Hardcover. Fine beige cloth-covered boards with title debossed on cover and stamped in blue on spine; with photographically illustrated dust jacket. The three volumes are contained in a custom slipcase. Photographs and text by Robert Adams. Essays by Joshua Chuang, Tod Papageorge, Jock Reynolds and John Szarkowski. Designed by Katy Homans. 589 pp., with approximately 400 tritone plates exquisitely printed on heavy matt paper in East Greenwich, Rhode Island by Meridian Printing, from separations by Thomas Palmer. 12 x 10-1/8 inches. Published on the occasion of a major traveling retrospective exhibition.

46. Tree Line, The Hasselblad Award 2009 [SIGNED]. Göttingen, Germany: Steidl Verlag, 2010. ISBN: 9783865219565. First edition, first printing. Signed by Adams. Hardcover. Tan cloth-covered boards with tipped in black-and-white plate on cover; no dust jacket as issued. Photographs by Robert Adams. Essay by Jean-François Chevrier. 116 pp., with black-and-white plates throughout. 11 x 10 inches.

47. What Can We Believe Where: Photographs of the American West, 1965-2005 [SIGNED]. New Haven, Connecticut: Yale University Art Gallery, 2010. ISBN: 9780300162479. First edition, first printing. Signed in pencil on the title page by Adams. Soft cover. Printed white wrappers; with photographically illustrated dust jacket. Photographs and text by Robert Adams. Afterword by Joshua Chuang and Jock Reynolds. Includes a list of plates. Designed by Katy Homans. Unpaginated, with 110 tritone plates beautifully printed by Meridian Printing from separations by Thomas Palmer. 9-3/4 x 7 inches. Published on the occasion of the major traveling exhibition Robert Adams: The Place We Live.

48. Prairie, Revised and Expanded Edition [SIGNED]. Denver and San Francisco: Denver Art Museum and Fraenkel Gallery, 2011. ISBN: 9780300180534. First edition thus (originally published in 1978), revised and expanded. Signed in pencil on the title page by Adams. Soft cover. Stiff white wrappers, with photographically illustrated dust jacket. Photographs and text by Robert Adams. Additional text by Eric Paddock. Includes a list of plates. Designed by Catherine Mills Design, Seattle. Unpaginated (62 pp.), with 45 tritone plates beautifully printed in Rhode Island by Meridian Printing, under the supervision of Daniel Frank, from separations by Thomas Palmer. 8 x 9 inches.

49. Sea Stories [SIGNED]. New Haven, Connecticut: Yale University Art Gallery, 2011. ISBN: 9780300180046. First edition, first printing. Soft cover. White wrappers; with photographically illustrated dust jacket. Photographs by Robert Adams. Designed by Catherine Mills Design, Seattle. 124 pp., with 106 tritone plates beautifully printed on matte paper by Meridian Printing Company from separations by Thomas Palmer. 9-1/2 x 8-1/4 inches.

50. This Day: Photographs from Twenty-Five Years, The Northwest Coast [SIGNED]. New Haven, Connecticut: Yale Art Gallery, 2011. ISBN: 9780300180053. First edition, first printing. Signed by Adams. Soft cover. White wrappers; with photographically illustrated dust jacket. Photographs by Robert Adams. Designed by Catherine Mills Design, Seattle. 106 pp., with 68 tritone plates beautifully printed on matte paper by Meridian Printing Company from separations by Thomas Palmer. 9-1/2 x 8-1/4 inches.

51. Skogen (Yale Art Gallery) [SIGNED]. New Haven, Connecticut: Yale Art Gallery, 2012. ISBN: 9780300187816. First edition, first printing. Signed in pencil by Adams. Hardcover. Dark blue cloth-covered boards with title stamped in gold on cover and spine; with photographically illustrated dust jacket. Photographs by Robert Adams. Unpaginated, with 44 black-and-white plates. 11-1/4 x 10 inches.

52. Light Balances / On Any Given Day in Spring [SIGNED]. San Francisco and New York: Fraenkel Gallery and Matthew Marks Gallery, 2013. ISBN: 9781880146620. First edition, first printing. Two volumes. Soft cover, with slipcase. Signed in pencil on the title page by Adams (both books). Photographs by Robert Adams. Unpaginated, with black-and-white plates throughout. 8-1/4 x 10 inches.

53. Prayers in an American Church, Limited Edition [SIGNED]. Tucson, Arizona: Nazraeli Press, 2013. ISBN: 9781590053737. First edition, first printing. Limited edition of 1000 hand-numbered copies, inscribed "Peace" and initialed in pencil on the colophon page by Adams. Hardcover. Fine green cloth-covered boards with title debossed on cover and spine; no dust jacket as issued. Photographs and text by Robert Adams. 40 pp., with 17 duotone plates. 9 x 6 inches.

54. A Road Through Shore Pine [SIGNED]. San Francisco: Fraenkel Gallery, 2014. ISBN: 9781881377409. First edition, first printing. Signed in pencil on the title page by Adams. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs by Robert Adams. Designed by Katy Homans. Unpaginated, with 18 tritone plates beautifully printed on heavy matte paper by Meridian Printing from separations by Thomas Palmer. 12 x 10 inches.

55. Buildings in Colorado 1964-1980 & Rudolf Schwarz: Architecture and Photography [SIGNED by Adams]. Köln (Cologne): Verlag der Buchhandlung Walther König, 2015. ISBN: 9783863356538. First edition, first printing. Two volumes. Buildings in Colorado signed in pencil on the title page by Adams. Hardcover, with cloth slipcase. Photographs by Robert Adams and Rudolf Schwarz. Each volume 84 pp., illustrated throughout. 9 x 9-1/2 inches.