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Jeff Wall (Museo Tamayo Arte Contemporáneo), Limited Edition [SIGNED]

Publisher: México City: Éditorial RM, 2008
Edition: 1st Edition
Binding: Hardcover
ISBN: 9788492480272
Condition: New / No dust jacket as issued
Item #: 112129

$1,000.00

Specifics

SHIPPING NOTE: Due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout).

First edition, first printing. Limited edition of 25 copies (only 10 copies were distributed in the United States; this being #06/25), stamp-numbered and signed in black ink on the half-title page by Wall. Hardcover. Buff paper-covered boards with title stamped in gray on cover, with 11-inch photographically illustrated belly band; no dust jacket as issued; contained in publisher's cardboard shipping box (edition number is stamped on lower box closure tab). Photographs by Jeff Wall. Essay by Tobias Ostrander. Includes a biography, exhibition history, selected bibliography and a list of plates. Designed by David Kimura + Gabriela Varela. 56 pp., with 9 four-color plates and 7 black-and-white plates beautifully printed on 200-gsm Magno matt paper by Everbest Printing Company Limited, Hong Kong. 19-5/8 x 13-7/8 inches. This first edition was limited to 1000 copies. Published on the occasion of an exhibition at the Museo Tamayo Arte Contemporáneo, Mexico City.

Condition

New in publisher's packaging.

Description

From the publisher: "Standing almost 14 inches wide by 20 inches tall, this exquisitely produced volume affords readers an unprecedented opportunity to study the work of the important Canadian artist/photographer Jeff Wall at the large scale for which his work is known. Informed by conceptual art, historical painting and avant-garde film, Wall began to produce large-format color transparencies, presented on light-boxes, in the late 1970s--a format that has become strongly identified with his work. This volume includes recent examples of this work, as well as large black-and-white prints--a format first incorporated into Wall's practice in 1996. Wall divides his photographs into two categories: documentary and cinematographic. A documentary photograph for Wall is tied to the traditional understanding of this term--a depiction of a specific time and place, without any overt manipulation on his part. A cinematographic photograph involves some form of intervention or restructuring by the artist. This category has ranged from slight movements of elements within a given situation to more elaborate approaches that involve the construction of sets and other aspects of stagecraft. Wall is best known for his cinematographic photographs, which have had a large influence on the expansion of notions of how the medium can be engaged. Rich in references to the natural environment and distinct urban character of Vancouver, where the artist lives and works, the photographs reproduced in this volume were primarily produced during the last seven years."