Publisher: New York: The Museum of Modern Art, 2006
Edition: 1st Edition
Condition: Fine / Fine
Item #: 109014
First edition, first printing. Signed in black ink on the title page by Marden. Hardcover. Dark green cloth-covered boards with title stamped on cover and spine; with photographically illustrated dust jacket. Paintings by Brice Marden. Essays by Gary Garrels, Richard Schiff, Brenda Richardson, Carol Mancusi-Ungaro and Michael Duffy. Chronology by Francesca Pietropaolo. Includes a chronology, catalogue, bibliography, exhibition history and an index of plates. 330 pp., with 261 four-color illustrations and 13 duotone illustrations. 11 x 9-3/4 inches.
Published on the occasion of a major retrospective at The Museum of Modern Art, which traveled to other venues.
Fine in Fine dust jacket. A mint signed copy.
From the publisher: "In the autumn of 2006, The Museum of Modern Art will present Brice Marden: A Retrospective, the artist's first major American retrospective. The exhibition, which will travel to San Francisco and Berlin, will constitute an unprecedented gathering of Marden's work, with more than 50 paintings and an equal number of drawings, balanced across the artist's career. The accompanying catalogue is the first book to take readers through the full course of Marden's work as it has developed over more than 40 years from the early 1960s to the present, showing his gradual, deliberate evolution, along with his constant exploration of light, color and surface at every turn.
Marden's first 20 years of work, characterized by the luminous monochrome panels for which he won his first acclaim, will for the first time appear alongside the celebrated production of the past 20 years, which followed a shift in the mid-1980s to calligraphic gestures in shimmering grounds, and another shift in the past decade to heightened color. Two of Marden's newest paintings appear here for the first time. Gary Garrels interprets Marden's work and places it in historical context. Carol C. Mancusi-Ungaro, of the Center for the Technical Study of Modern Art at Harvard, examines issues of materials, processes and conservation. Richard Shiff, Brenda Richardson and Michael Duffy explore Marden's early use of a grid and his engagement with time and space in the studio, as well as his observation of the elemental qualities of nature, his representational links to nature, and the distinctive emotional effects of the abstract monochrome works for which he was initially recognized. Marden himself addresses his working methods in an interview, and a comprehensive chronology, exhibition history and bibliography close the book out."