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Keizo Kitajima: The Joy of Portraits, Limited Edition (Two Volume Set) [SIGNED]

Publisher: Tokyo: Rat Hole Gallery / Nobuhiko Kitamura, 2009
Edition: 1st Edition
Binding: Hardcover
Condition: New / No dust jacket as issued
Item #: 106883

$400.00

Specifics

SHIPPING NOTE: due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout).

First edition, first printing. Limited edition of 1500 unnumbered copies, this copy additionally signed in pencil on the front free end-paper by Kitajima. Hardcover. Two cloth covered volumes, with title stamped in black on the front covers and spines, contained in a gray cloth covered slipcase with a four-color plate (1-3/4 x 2-1/4 inches) tipped in the side of the slipcase (also with the title stamped in black on the front and side). Photographs by Keizo Kitajima. Text (in Japanese and English) by Shino Kuraishi. 874 total pp.

Volume 1 ("Portraits 1992 -") is 160 pp, with four-color plates throughout, covering Kitajima's ongoing series of color studio portraits.

olume 2 ("Koza 1975-1980; Tokyo 1979; New York 1981-1982; Eastern Europe 1983-1984; Berlin, New York, Seoul, Beijing 1986-1990; U.S.S.R. 1991") is 714 pp. with four-color and black-and-white plates throughout. 11-1/4 x 8-5/8 inches.

Condition

New in publisher's packaging (opened only for signing).

Description

From the publisher: "In 1976 Keizo Kitajima made his impressive debut with photographs capturing Koza in Okinawa, a town near the US military base, in the period just after the end of the Vietnam War. Subsequently, he expanded his purview to include Tokyo, New York and Eastern Europe. While the photographs he made during those periods still strike us with their dazzling quality, Kitajima drastically changed his method of photographing after he visited the Soviet Union in 1991, as that nation was on the verge of collapsing; that is, Kitajima changed his place of work from the street to the studio, and in doing so, he denied the aesthetics of 'selection' and 'instantaneity' that is typical of street snapshot photography.

In his still ongoing series Portraits, using a view camera instead of a hand-held camera, Kitajima repeatedly photographs the same models at certain intervals, following self-imposed conditions and rules. So far, he has photographed more than three hundred people, with the total number of his photographs amounting to over two thousand. This series has neither an ending nor a completion in the usual sense of the words. This means it will attain neither success nor failure. These pictures are no more than 'photographs of faces,' which have nothing to do with a sense of beauty or any aesthetic judgment. Still, viewers of this series nevertheless encounter the terrible dynamics of these images. Deprived of any hope of empathy or interpretation, the viewer's gaze is stopped by the surfaces of the photographs and is caught up in their 'denseness without denseness.' But, is not this the specificity of our experience of looking at photographs? We realize, then, that the 'photographs of faces' are not representations or substitutions, but instead are nothing but 'originals.'

What is at stake in this series, which Kitajima has been working on ever since he gave up street snapshot photography, is perhaps more significant than we can ever have imagined. Aimed at disclosing the whole picture of the extraordinary photographer Keizo Kitajima's work, the photobook The Joy of Portraits is composed of two volumes (874 pages in total), and the series printed in the book include Portraits (1992-present), Koza 1975, U.S.S.R. 1991 and others, including a number of as yet unpublished photographs. A long-awaited photobook published after eighteen years by the photographer Keizo Kitajima, who has continued to make his presence felt in the photo world even though the whole picture of his work has not been hitherto revealed."