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Publisher: Valencià, Spain: IVAM Centro Julio Gonzalez, Generalitat Valenciana, Conselleria de Cultura, Educació i Ciència, 1992
Edition: 1st Edition
Binding: Soft cover
Condition: New / No dust jacket as issued
Item #: 100999
First edition, first printing. Signed in black ink on the first page by Friedlander. Soft cover. Photographically illustrated stiff wrappers. Photographs by Lee Friedlander. Introductions and essays (in Catalan and Spanish) by Carmen Alborch, Christian Caujolle and Josep Vicent Monzó. A bibliography is also included. 154 pp. with 116 duotone plates. 9-1/2 x 11-3/4 inches. Published on the occasion of the exhibition Lee Friedlander in 1992 at the IVAM Institut Valencià d'Art Modern. Out of print. Scarce.
Lee Friedlander’s work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work.
New (opened only for signature).
A beautifully reproduced selection of Friedlander's work from most of his important monographs, including Self-Portrait (1970), The American Monument (1976), Photographs (1978), Flowers and Trees (1981), Factory Valleys (1981), Portraits (1985), Cray at Chippewa Falls (1987), Like A One-Eyed Cat: Photographs By Lee Friedlander 1956-1987 (1989), Nudes (1991), The Jazz People of New Orleans (1992) and photographs from the Sonora Desert.