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Lee Friedlander: A Complete Collection of 84 Books and Catalogues [All Titles SIGNED, First Edition, First Printing, in Fine or As New Condition; Some Titles Limited Editions; Includes Additional Ephemera]

Publisher: Various: Various, 1963-2023
Edition: 1st Edition
Binding: Hardcover
Condition: As New / As New
Item #: 112175

$22,500.00

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A complete collection of all books and exhibition catalogues on the work of Lee Friedlander over a sixty year period, from 1963 through 2023. All titles first edition, first printing. All titles signed by Friedlander.

Lee Friedlander’s work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work.

Condition

Fine to As New (most titles from Friedlander's personal archive). A Mint collection.

Description

MONOGRAPHS AND EXHIBITION CATALOGUES:

1. Work from the Same House: Photographs and Etchings. By Lee Friedlander & Jim Dine. London: Trigram Press, Ltd., 1969. First edition, first printing. Signed by Friedlander. Soft cover. Laminated white wrappers with title printed on front and spine, no dust jacket as issued. Photographs by Friedlander. Etchings and text (untitled preface) by Jim Dine. Designed by Ass Benveniste, Trigram Press, London. Unpaginated (48 pp.), with 33 black and white plates printed on 70-lb. Ambassador White Art Double Crown coated paper by W&J Mackay & Co., Ltd., Chatham, Kent, England. 9-3/4 x 9-7/8. [Note: Reproduces the same pairings of photographs and etchings as the Photographs & Etchings portfolio (ref. 14. above), except for plates 8 (here the bottom part of the etching is radically cropped) and 15 (here only the top of this three-part etching is reproduced).] This collaborative artists' book reflects a visual dialogue presenting photographs by Lee Friedlander on the left-hand pages, with Dine's etchings facing them on the right side.

2. Self Portrait: Photographs by Lee Friedlander (First Edition). New City, New York: Haywire Press, 1970. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs and text (untitled preface) by Friedlander. Designed by Friedlander and Marvin Israel. Unpaginated (88 pp.) with 42 plates plus the cover image (not reproduced inside the book), printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 8-1/2 x 9-1/8 inches. Friedlander's Self-Portraits call attention to the complex, fractured and sometimes dissimulating interplay between various screens, shadows, reflections, lenses and the surfaces of the photographs themselves.

3. The American Monument. New York: The Eakins Press Foundation, 1976. First edition, first printing. Signed by Friedlander. Hardcover. Blue-green cloth-covered boards, with title stamped in black on cover and spine; assembled with metal pins; no dust jacket as issued. Photographs by Friedlander. Essay by Leslie George Katz. Designed by Leslie George Katz, Friedlander, and Richard Benson. Cover and typography by Lance Hidy. 170 pp., with 213 plates printed on fine heavy stock uncoated paper by the Meriden Gravure Company, Meriden, Connecticut, from halftone separations made by Richard Benson. Binding by George Wieck, Robert Burlen and Son, Massachusetts. Special binding was designed so that individual sheets could be removed and exhibited. 12 x 17 inches. This first edition was limited to 2000 copies.

4. Lee Friedlander: Photographs. New City, New York: Haywire Press, 1978. First edition, first printing. Signed by Friedlander. Hardcover. Navy blue cloth-covered boards with title stamped in silver on cover and spine; no dust jacket as issued. Photographs by Friedlander. Designed by John Berg. Unpaginated (106 pp.), with 137 plates printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 10-3/4 x 11-1/2 inches. Contains reproductions of Friedlander's most well known work, as well as numerous images rarely published elsewhere.

5. Flowers and Trees. New City, New York: Haywire Press, 1981. ISBN: 9990469792. First edition, first printing. Signed by Friedlander. Hardcover. Fine violet cloth-covered outer boards with title stamped in black on cover, with green cloth-covered interior boards enclosing spiral-bound sheets, no dust jacket as issued. Photographs and design by Friedlander. Typography by Katy Homans. Includes a list of plates. Unpaginated (88 pp.), with 40 plates printed on heavy matte art paper by Stinehour Press, Vermont, and Meriden Gravure Company, Meriden, Connecticut, from tritone separations made by Richard Benson. A large fold-over portfolio-like design with a special spiral binding by Robert Burlen & Son, Massachusetts. 14-3/8 x 11-1/4 inches. With exquisite reproductions, this is one of Friedlander's most beautifully designed and most difficult to find books. Gorgeous botanical photographs from Friedlander's travels in the United States, Japan, Europe and Mexico during the 1970s.

6. Factory Valleys, Ohio and Pennsylvania. New York: Callaway Editions, Inc., 1982. ISBN: 0935112049. First edition, first printing. Signed by Friedlander. Moss-green cloth-covered boards, with photographically illustrated dust jacket. Photographs by Friedlander. Afterword by Leslie George Katz. Includes a list of plates. Designed by Nicholas Callaway and Anne Kennedy. Typography by Leslie Miller and Crosby Typographers. Unpaginated (82 pp. including bound-in print), with 62 plates exquisitely printed in 300-line offset lithography on fine matte art paper by the Meriden Gravure Company, Connecticut, from halftone negatives made by Richard Benson. 11-1/4 x 11-1/4 inches. The first edition was limited to 1000 unnumbered signed cloth copies (plus 2000 soft cover copies). Considered by many to be one of Friedlander's best books!

7. Lee Friedlander: Portraits. Boston: Little, Brown and Company / A New York Graphic Society Book, 1985. ISBN: 0821216023. First edition, first printing. Signed by Friedlander. Hardcover. Black cloth-covered boards with title stamped in silver on spine, with photographically illustrated dust jacket. Photographs by Friedlander. Foreword by R.B. Kitaj. Includes a list of plates. Designed by Howard I. Gralla. Unpaginated, with 71 plates, and 2 additional black and white frontispiece plates, beautifully printed on heavy fine matt art paper by The Meriden-Stinehour Press, Meriden, Connecticut from duotone separations made by Richard Benson. 10-1/4 x 11 inches.

8. Cray at Chippewa Falls, Limited Edition [SIGNED in Year of Publication] and Preview. Minneapolis, Minnesota: Cray Research, Inc., 1987. First edition, first and only printing. Limited edition of 500 signed copies (at time of publication). Signed in blue ink opposite the title page by Friedlander, in 1987. Hardcover. Full orange cloth-covered boards, with title printed on off-white paper label mounted on cover; no dust jacket as issued. Photographs by Friedlander. Text by Stuart Klipper. Designed by Chad Jewett and Jim Morgan. Includes a facsimile of the letter addressed to Friedlander from John A. Rollwagen, chairman and chief executive officer, Cray Research (p. 7). 96 pp. with 79 plates printed by Franklin Graphics, Providence, Rhode Island, from 300-line screen tritone negatives made by Richard Benson. Binding by A. Horowitz and Son. 12-3/8 x 11-5/8 inches. This book was commissioned as an in house publication by the president of Cray Research, on the occasion of the company's fifteenth anniversary. The book was never commercially available and was presented to company employees as a gift. The total print run was limited to 5000 total cloth copies (the 500 copies signed in the year of publication comprise the limited edition). Includes an As New copy of the four-page "Preview" publication, with 2 black and white plates, in matching stiff wrappers with self-closing flap. 12-3/8 x 11-5/8 inches.

9. Like a One-Eyed Cat: Photographs by Lee Friedlander 1956-1987. New York: Harry N. Abrams, Inc., in association with the Seattle Art Museum, Seattle, Washington, 1989. ISBN: 0810912740. First edition, first printing. Signed by Friedlander. Hardcover. Yellow cloth-covered boards, with title stamped in silver on spine, with photographically illustrated dust jacket. Photographs by Friedlander. Essay by Rod Slemmons. Designed by Katy Homans, New York. Binding by Horowitz/Rae, Fairfield, New Jersey. A selected bibliography, list of exhibitions and awards is also included. 120 pp. with 153 plates printed by Litho Specialties, St. Paul, Minnesota, from tritone separations made by Richard Benson. 11-3/4 x 12-1/4 inches. Published on the occasion of the exhibition Like a One-Eyed Cat: Photographs by Lee Friedlander 1956-1987 in 1989 at the Seattle Art Museum (traveled to numerous venues). A beautifully reproduced first major retrospective monograph of Friedlander's work over a 30-year period. Includes works from Friedlander's previous publications including Self-Portrait (1970), The American Monument (1976), Photographs (1978), Flowers and Trees (1981), Factory Valleys (1981), Portraits (1985) and Cray at Chippewa Falls (1987). This first edition was limited to 5000 cloth copies.

10. Nudes. New York: Pantheon Books, a division of Random House, Inc., 1991. ISBN: 0224030523. First edition (first American edition, simultaneously published in Great Britain by Jonathan Cape, London), first printing. Signed by Friedlander. Hardcover. Full maroon cloth-covered boards with title stamped in gilt on spine, with photographically illustrated dust jacket. Photographs by Friedlander. Afterword by Ingrid Sischy. Sequence by John Szarkowski with Mark Holborn and Friedlander. Designed by Catherine Mills. 108 pp., with 84 tritone plates printed on coated heavy paper by Franklin Graphics, Providence, Rhode Island, from separations by Richard Benson and Thomas Palmer. 9-7/8 x 11 inches. Published on the occasion of an exhibition at The Museum of Modern Art, New York. This first edition was limited to 8000 copies.

11. Maria: Photographs by Lee Friedlander (A Smithsonian Series). Washington, D.C.: Smithsonian Institution Press, in association with Constance Sullivan Editions, 1992. ISBN: 1560982071. First English edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs by Friedlander. Interview with Friedlander by Constance Sullivan. Edited by Constance Sullivan and Susan Weiley. Designed by Katy Homans, New York. Includes a biography by Richard B. Woodward. 64 pp., with 30 plates, printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 10 x 8-3/8 inches. From the the series Photographers at Work. This first edition was limited to 5000 copies.

12. Lee Friedlander: The Jazz People of New Orleans [SIGNED]. New York: Pantheon Books, 1992. ISBN: 0679416382. First edition (first American edition, simultaneously published in Great Britain by Jonathan Cape, London), first printing. Signed by Friedlander. Hardcover. Full red cloth-covered boards with title debossed on cover and spine; with photographically illustrated dust jacket. Photographs by Friedlander. Afterword by Whitney Balliett. Edited by Friedlander and Mark Holborn. Designed by Katy Homans, New York. 120 pp., with 94 plates, printed by Amilcare Pizzi, Milan, from duotone separations made by Richard Benson and Thomas Palmer. 9-1/9 x 11-1/4 inches. This first edition was limited to 10,000 cloth copies.

13. Letters from the People. New York: D.A.P./Distributed Art Publishers, Inc., 1993. ISBN: 1891024876. First edition, first printing. Signed by Friedlander. Hardcover. Full black cloth, with printed dust jacket. Photographs by Friedlander. Designed by Katy Homans. Includes a list of plates. 212 pp., with 213 tritone plates printed by Amilcare Pizzi, Milan, from tritone separations made by Thomas Palmer. 14-7/8 x 13-3/4 inches. This first edition was limited to 3000 cloth copies (plus 250 signed and numbered copies for the limited edition).

14. The Desert Seen. New York: D.A.P./Distributed Art Publishers, Inc., 1996. ISBN: 1881616754. First edition, first printing. Signed by Friedlander. Hardcover. Full yellow cloth-covered boards, with photographically illustrated dust jacket. Photographs, essay and compilation by Friedlander. Edited by Friedlander and Sharon Helgason Gallagher. Designed by Katy Homans. Title by Thomas Roma. 108 pp. with 94 plates, printed by Meridian Printing, East Greenwich, Rhode Island, from tritone separations made by Thomas Palmer. 11 x 12 inches. This first edition was limited to 3000 cloth copies.

15. Self Portrait: Photographs by Lee Friedlander (Revised Second Edition). New York: D.A.P./Distributed Art Publishers, Inc., in association with Fraenkel Gallery, San Francisco, 1998. 2nd Edition. ISBN: 1881616967. 1970/1998. First edition thus (revised edition, originally published in 1970 by Haywire Press), first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs and a new preface (written July 1997) by Friedlander. Afterword by John Szarkowski. Designed by Pollen Design, New York. Unpaginated (100 pp.) with 46 plates (including four additional plates) printed on Lustro Dull Text paper by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Richard Benson. 9-3/8 x 10 inches. This revised second edition was limited to 4000 copies.

16. American Musicians. New York: D.A.P./Distributed Art Publishers, Inc., 1996. ISBN: 1881616754. First edition, first and only printing. Signed by Friedlander. Hardcover. Full black cloth-covered boards, with title stamped in gilt on spine, with photographically illustrated dust jacket. Photographs and addendum by Lee Friedlander. Foreword by Joel Dorn. "Interview with Ruth Brown," by Friedlander and Nat Green, conducted November 15, 1997, New York City. "Interview with Steve Lacy," by Friedlander and Maria Friedlander, conducted November 9, 1997, New York City. Designed by Katy Homans. Includes an index of musicians' names and numbered references to photographs. 296 pp., with numerous four-color and black-and-white plates (514 total reproductions), printed by Palace Press International, China. 10-1/4 x 9-5/8 inches. This first edition was limited to 7000 cloth copies (plus 5000 soft cover copies).

17. Lee Friedlander (Fraenkel Gallery). San Francisco: Fraenkel Gallery, 2000. ISBN: 1891024191. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers. Photographs by Friedlander. Text by John Szarkowski. Designed by Catherine Mills Design, Seattle. 96 pp. with 77 plates printed by Meridian Printing, Rhode Island from duotone separations made by Richard Benson. 9-1/4 x 9-1/8 inches. This first edition was limited to 3300 total copies, of which 600 hardcover copies were signed and numbered for the limited edition (ref. #24 above).

18. The Little Screens. San Francisco: Fraenkel Gallery, 2001. ISBN: 1881337111. First edition, first and only printing. Signed by Friedlander. Hardcover. Photographically illustrated laminated paper-covered boards, with crystallographic dual-image tipped in to television-screen portion of the cover photograph, no dust jacket as issued. Photographs by Friedlander. Foreword by Walker Evans. 96 pp. with 34 plates printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 10 x 10 inches. This first edition was limited to 2000 total copies.

19. Kitaj. San Francisco: Fraenkel Gallery, 2002. ISBN: 1881337154. First edition, first printing. Signed by Friedlander and Kitaj. Hardcover. Photographically illustrated laminated full off-white paper-covered boards; no dust jacket as issued (for the trade edition). Photographs by Lee Friedlander. Foreword by Maria Friedlander. Afterword by R.B. Kitaj. Designed by Catherine Mills Design, Seattle. 120 pp. with 94 plates printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 9 3/4 x 9 3/4 inches. This first edition was limited to 2000 total copies.

20. At Work. New York: D.A.P./Distributed Art Publishers, Inc., 2002. ISBN: 1891024485. First edition, first printing. Signed by Friedlander. Hardcover. Full gray cloth-covered boards, with debossed title, with photographically illustrated dust jacket. Photographs and text by Friedlander. Afterword by Richard Benson. Designed by Katy Homans. 96 pp., with 193 plates (231 total reproductions), printed by Steidl, Göttingen, Germany. 12-1/4 x 11-5/8 inches. This first edition was limited to 3000 copies. Includes photographs from the following series: Factory Valleys; Gund Foundation; Cray, Chippewa Falls; MIT; Dreyfus; Telemarketing (some photographs have been reproduced in previous publications of the same name, such as Factory Valleys and Cray at Chippewa Falls). ISBN: 1891024485.

21. Staglieno. Tucson, Arizona: Nazraeli Press, 2002. ISBN: 1590050398. First edition, first and only printing. Signed by Friedlander. Hardcover. Full burgundy velvet-covered boards, with offset reproduction mounted on the front cover; no dust jacket as issued. Photographs by Lee Friedlander. Introduction by Peter Galassi. Afterword by Maria Friedlander. Designed by Friedlander and Chris Pichler. 56 pp., with 48 plates, printed on fine matte paper by Oceanic Graphic Productions, China. 12 x 11-1/4 inches. This first edition was limited to 2000 copies.

22. Stems. New York: D.A.P./Distributed Art Publishers, Inc., 2003. ISBN: 1891024752. First edition, first and only printing. Signed by Friedlander. Hardcover. Full bright lime-green linen cloth-covered boards, with offset reproduction mounted on the front cover; title stamped in black and silver on cover and spine; no dust jacket as issued. Photographs and introduction by Friedlander. Edited by Lori Waxman. Designed by Katy Homans. 92 pp., with 65 plates, printed with a special drytrap process by Meridian Printing, East Greenwich, Rhode Island, from quadtone separations made by Thomas Palmer. 12-1/4 x 10-3/8 inches. This first edition was limited to 2000 copies.

23. Family. San Francisco: Fraenkel Gallery, 2004. ISBN: 1881337189. First edition, first printing. Hardcover. Signed by Friedlander. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Foreword by Maria Friedlander. Additional brief texts by Johnny Hartmann, Halldor Laxness, and William Kentridge. Designed by Catherine Mille Design, Seattle, Washington. 144 pp., with 192 plates (many printed several reproductions to a page), Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 10-5/8 x 10-1/8 inches. This first edition was limited to 2000 total copies.

24. Sticks & Stones: Architectural America. San Francisco and New York: Fraenkel Gallery and D.A.P./Distributed Art Publishers, Inc., 2004. ISBN: 1891024973. First edition, first printing. Signed by Friedlander. Hardcover. Full mustard-yellow cloth-covered boards, with title stamped in black on spine, with dust jacket. Photographs by Friedlander. Essay by James Enyeart. Designed by Katy Homans. Managing editor Lori Waxman. Includes a list of plates. 210 pp., with 196 plates, printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 12-3/4 x 12 inches. This first edition was limited to 6000 total copies.

25. Friedlander (MoMA). New York: The Museum of Modern Art (MoMA, New York), 2005. ISBN: 0870703439. First edition, first printing. Signed by Friedlander. Hardcover. Full black cloth-covered boards with title stamped in yellow on spine, with photographically illustrated dust jacket. Photographs by Friedlander. Essays by Peter Galassi and Richard Benson. Edited by David Frankel. Includes a note on the prints, an extensive, illustrated and annotated bibliography of Friedlander's books, special editions and portfolios compiled by Dalia Azim, a chronology, artist's bibliography and list of plates. Designed by Katy Homans. 480 pp., profusely illustrated with 850 reproductions (approximately 350 plates from duotone separations by Thomas Plamer, and 25 color illustrations), printed on 150 gsm New-G Matt art paper by Oceanic Graphic Printing, Inc., China. 13 x 12 inches. Published on the occasion of the 2005 major retrospective exhibition "Friedlander" at The Museum of Modern Art, New York.

26. Self Portrait: Photographs by Lee Friedlander (Revised Third Edition). New York: The Museum of Modern Art, 2005. 3rd Edition. ISBN: 0870703382. 1970/2005. Third edition (revised edition, originally published in 1970 by Haywire Press), first printing. Signed by Friedlander. Hardcover. Full black cloth-covered boards, with title debased on cover and stamped in silver on spine, with photographically illustrated dust jacket. Photographs and text (original preface written in February 1970 and revised preface written July 1997 for the second edition) by Friedlander. Afterword by John Szarkowski. Original design by Friedlander and Marvin Israel, adapted for this edition by Amanda Washburn. Unpaginated (104 pp.) with 46 plates (including four plates added for the second edition), plus 3 additional plates, including a portrait of John Szarkowski and Richard Benson made in 1997 by Friedlander, printed on 150 gsm Parilux Silk paper, and bound, by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Richard Benson. 9-5/8 x 10-1/2 inches.

27. Apples and Olives. San Francisco and Zürich (Zurich): Fraenkel Gallery and Hasselblad Foundation, 2005. ISBN: 9781933045320. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. Unpaginated (64 pp.), with 55 plates, printed on matte art paper printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 10-1/2 x 9-7/8 inches.

28. Cherry Blossom Time in Japan: The Complete Works. San Francisco: Fraenkel Gallery, 2006. ISBN: 1881337201. First edition, first printing. Signed by Friedlander. Hardcover. Full brilliant green and fuchsia paper-covered boards, with bold calligraphic emblem title printed in black on both covers, and again printed in green and fuschia on black spine. Photographs by Friedlander. Includes a list of plates. Calligraphy by Shuntei Taniguchi. Designed by Katy Homans. 160 pp., with 73 plates printed with a special drytrap process on heavy matte art paper by Danny Frank of Meridian Printing, East Greenwich, Rhode Island, from tritone separations made by Thomas Palmer. 8-1/4 x 11-1/4 inches. The book is really two books bound together, and can be read in two directions; one half features horizontally oriented plates and text, while the other half is vertically oriented. Each section proceeds from its cover to center, where they meet with a list of plates and colophon page.

29. Photographs: Frederick Law Olmsted, Landscapes. New York: D.A.P. / Distributed Art Publishers, Inc., 2008. ISBN: 1933045736. First edition, first printing. Signed by Friedlander. Hardcover. Full ochre cloth covered boards, with offset reproduction mounted on the front cover; title stamped in silver and gold on the cover; no dust jacket as issued. Photographs and text by Friedlander. Includes captions to the plates. Designed by Katy Homans. Unpaginated (84 pp.), with 89 plates printed with a special drytrap process on heavy matte art paper, under the supervision of Daniel Frank of Meridian Printing, East Greenwich, Rhode Island, from tritone separations by Thomas Palmer. 13 x 13-5/8 inches.

30. New Mexico. Santa Fe, New Mexico: Radius Books, 2008. ISBN: 1934435112. First edition, first printing. Signed by Friedlander. Heavy cardboard wrappers with title blind-stamped on cover; no dust jacket as issued. Photographs by Friedlander. Foreword by Andrew Smith. Essay by Emily Ballew Neff. Designed by Skolkin + Chickey. 76 pp., with 51 plates printed in China on heavy matt art paper by Oceanic Graphic Printing, Inc., from duotone separations made by Thomas Palmer. 12-1/4 x 11-3/8 inches. Published in conjunction with an exhibition at Andrew Smith Gallery, Santa Fe, New Mexico.

31. Raoul Hague, His Work and Place, a Memoir (Witness Number Six: Lee Friedlander). New York: Joy of Giving Something, Inc. (JGS) with distribution by Nazraeli Press, Portland, Oregon, 2009. ISBN: 9781590052433. First edition, first printing. Signed by Friedlander. Hardcover. Black matte paper-covered boards with rust cloth-covered spine; with offset reproduction mounted on the front cover; title stamped in gray on cover; no dust jacket as issued. Photographs by Friedlander. Afterword by Maria Friedlander. Includes a list of plates and an illustrated overview of JGS activities in the arts. Unpaginated (96 pp.), with 157 duotone plates and additional illustrations. 12 x 9-1/2 inches.

32. America by Car. New York and San Francisco: D.A.P./Distributed Art Publishers, Inc. and Fraenkel Gallery, 2010. ISBN: 9781935202073. First edition, first printing (trade edition). Signed by Friedlander. Hardcover. Cloth-covered boards with photographically illustrated dust jacket. Photographs by Friedlander. Includes a list of plates. Designed by Katy Homans. 200 pp., with 192 plates printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 10 x 9-7/8 inches.

33. Recent Western Landscape 2008-09 (Mary Boone Gallery), Limited Edition. New York: Mary Boone Gallery, 2010. ISBN: 9780980171532. First edition, first printing. Limited edition of 600 unnumbered copies. This copy additionally signed by Friedlander. Hardcover. Gray linen cloth-covered boards with offset plate mounted on the cover, and title stamped in green and silver on cover and spine; no dust jacket as issued. Photographs by Friedlander. Essay by Klaus Kertess. Includes a list of plates. Designed by Katy Homans. Unpaginated (36 pp.), with 25 plates printed on heavy matte paper by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. Printing supervised by Daniel Frank. 12-3/4 x 12 inches. Published on the occasion of an exhibition at Mary Boone Gallery, New York.

34. The New Cars 1964. San Francisco: Fraenkel Gallery, 2011. ISBN: 9781881337317. First edition, first printing. Signed by Friedlander. Hardcover. Full blue leatherette-covered boards with offset reproduction mounted on the front cover; with title in silver and gold on cover and spine; no dust jacket as issued. Photographs by Friedlander. Introduction by Jeffrey Fraenkel. Includes an illustrated list of plates. Designed by Katy Homans. Unpaginated (72 pp.), with 33 plates, plus 3 four-color reproductions and 32 additional black-and-white reproductions for a the list of plates, printed by Meridian Printing, East Greenwich, Rhode Island, from separations made by Thomas Palmer. 9-3/4 x 12 inches.

35. In the Picture: Self-Portraits 1958-2011. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2011. ISBN: 9780300177299. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated matte "rubber-like" paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Afterword by Richard Benson. Brief excerpt from a letter to Lee Friedlander from John Childs, October 15, 2010. Designed by Katy Homans. 380 pp., with over 400 plates printed by Meridian Printing under the supervision of Daniel Frank, from duotone separations by Thomas Palmer. 8-3/4 x 9-3/4 inches.

36. Mannequin. San Francisco: Fraenkel Gallery, 2012. ISBN: 9781881337324. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards with varnished title on cover and spine; no dust jacket as issued. Photographs by Friedlander. Includes a list of plates. Designed by Katy Homans. 112 pp., with 103 plates printed on matt art paper by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 13-1/4 x 9-1/4 inches.

37. The Nudes: A Second Look. New York: D.A.P./Distributed Art Publishers, Inc., 2013. ISBN: 9781938922008. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. 168 pp., with 84 plates printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 9-3/4 x 11 inches.

38. JFK: A Photographic Memoir. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2013. ISBN: 9780300191080. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. 60 pp., with 49 plates printed by Meridian Printing, East Greenwich, Rhode Island, from tritone separations made by Thomas Palmer. 8-1/2 x 9-1/8 inches.

39. Playing for the Benefit of the Band: New Orleans Music Culture. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2014. ISBN: 9780300204407. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. 207 pp., with 202 plates printed by Meridian Printing, East Greenwich, Rhode Island, from tritone separations made by Thomas Palmer. 9-5/8 x 11 inches.

40. Family In the Picture: Self-Portraits 1958-2013. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2014. ISBN: 9780300204834. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated matte "rubber-like" paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. 378 pp., with over 350 plates printed by Meridian Printing, East Greenwich, Rhode Island, under the supervision of Daniel Frank, from duotone separations made by Thomas Palmer. 8-3/4 x 9-3/4 inches.

41. Dressing Up: Fashion Week NYC. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2015. ISBN: 9780300179859. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. Incudes a conversation between Friedlander and Kathy Ryan, director of photography for the New York Times Magazine. Designed by Katy Homans. 80 pp., with 59 plates printed by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Thomas Palmer. 13-1/4 x 11-1/4 inches.

42. Portraits: The Human Clay. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2015. ISBN: 9780300215205. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. 224 pp., with 234 duotone plates. 9-5/8 x 11 inches.

43. Children: The Human Clay. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2015. ISBN: 9780300215199. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Friedlander. 214 pp., with 202 duotone plates. 9-5/8 x 11 inches.

44. Prayer Pilgrimage for Freedom: Photographs by Lee Friedlander. New York: The Eakins Press Foundation, 2015. ISBN: 9780871300713. First edition, first printing. Signed by Friedlander. Hardcover. Full red cloth-covered boards, with offset reproduction mounted on the front cover; title stamped in black and gold on cover and spine; no dust jacket as issued. Photographs by Friedlander. Contributions by Martin Luther King, Jr., A. Philip Randolph and Roy Wilkins. Design and typography by Katy Homans. Binding by Riverside Bindery. 88 pp., with 58 plates, plus 11 historical documents, printed by Meridian Printing, East Greenwich, Rhode Island, under the supervision of Daniel Frank, from duotone separations made by Thomas Palmer. 8-1/2 x 9 inches.

45. Street: The Human Clay. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2016. ISBN: 9780300221770. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. 216 pp., with 206 duotone plates. 9-5/8 x 11 inches.

46. Western Landscapes. New Haven, Connecticut: Yale University Press, 2016. ISBN: 9780300223019. First edition, first printing. Signed in black ink on the title page by Friedlander. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs by Lee Friedlander. Essay by Richard Benson. Afterword by Jock Reynolds. 200 pp., with 189 tritone plates. 15-3/8 x 14 inches.

47. Parties: The Human Clay. New Haven, Connecticut: Yale University Art Gallery and Yale University Press, 2016. ISBN: 9780300221787. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. 188 pp., with 172 duotone plates. 9-5/8 x 11 inches.

48. The American Monument (Eakins Press Reissue). New York: The Eakins Press Foundation, 2017. ISBN: 9780871300720. Second edition of 2000 copies (same as the 1976 first edition). Signed by Friedlander. Hardcover. Light green cloth, with title stamped in black and gilt on cover and spine, post-bound and assembled with removable metal pins; no dust jacket as issued. Photographs by Friedlander. Essays by Leslie George Katz and Peter Galassi. Design and typography by Katy Homans based on the original concept devised by Lance Hidy and Leslie George Katz. 170 pp., with 213 duotone plates printed on fine heavy stock un-coated paper by the Meriden Gravure Company, Meriden, Connecticut, from halftone separations made by Thomas Palmer, under the supervision of Daniel Frank. Binding by Roswell Bookbinding, Arizona. Special binding was designed so that individual sheets could be removed and exhibited. 12 x 17 inches.

49. Chain Link. Göttingen, Germany: Steidl Verlag, 2017. ISBN: 9783958292598. First edition, first printing. Signed by Friedlander. Hardcover. Photographs by Lee Friedlander. 140 pp., with 97 tritone plates. 10 x 11 inches.

50. Dog's Best Friend, A Pet Project. Brooklyn, New York: SPQR Editions, 2017. ISBN: 9780997530667. First edition, first printing. Signed in blue ink on the half-title page by Friedlander. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. Design and typography by Katy Homans 108 pp., with 100 duotone plates printed from halftone separations made by Thomas Palmer. Printing and Binding by Industria Grafica SI.Z., Verona, Italy. 9-3/4 x 11-3/4 inches.

51. Head (One of Four Books from TBW/These Birds Walk Subscription Series #5). Oakland, California: TBW (These Birds Walk) Books, 2017. ISBN: 9781942953289. First edition, first printing. Signed by Friedlander. Hardcover. Cloth-covered boards; with photographically illustrated dust jacket. Unpaginated, with black-and-white plates throughout. 10 x 8-1/2 inches. This first edition was limited to 1000 copies.

52. The Mind and the Hand. New York: The Eakins Press Foundation, 2019. ISBN: 9780871300799. First edition, first printing. Signed by Friedlander. Boxed set of six volumes sharing the following format: Soft cover. No dust jacket as issued; contained in a printed paper-covered slipcase. Photgraphs by Lee Friedlander. Set 240 pp., with 191 duotone plates. 9 x 8-1/2 inches.

53. Lee Friedlander: Signs. Santa Fe, New Mexico: Fraenkel Gallery, 2019. ISBN: 9781881337485. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Photographically illustrated laminated boards; no dust jacket as issued. Photographs by Friedlander. 120 pp., with 144 duotone plates. 11-3/4 x 12-1/2 inches.

54. Lee Friedlander: The Shadow Knows. Brooklyn, New York: SPQR Editions, 2020. First edition, first printing. Signed in black ink on the title page by Friedlander. Hardcover. Black glossy printed laminated paper-covered boards; no dust jacket as issued. Photographs by Lee Friedlander. Designed and typeset by Katy Homans. Includes a list of titles. 110 pp., with 101 duotone plates, printed by Meridian Printing, East Greenwich, Rhode Island, from separations by Thomas Palmer. 10-1/4 x 11 inches.

55. Lee Friedlander (Editorial RM/FUNDACIóN MAPFRE, English Edition). México City and Madrid: Editorial RM & FUNDACIóN MAPFRE, 2021. First edition, first printing. Signed in ink on the half-title page by Friedlander. Hardcover. Full red cloth-covered boards, with offset reproduction mounted on the front cover; title stamped in blue and white on cover and spine; no dust jacket as issued. Photographs by Friedlander. Introduction [all texts in English] by Ignacio Baeza. Essay by Carlos Gollonet. Additional text "How He Sees" by Nicholas Nixon. An interview with Maria Friedlander by Jeffrey Fraenkel. Also includes a chronology compiled by Giancarlo T. Roma. Design and typography by Katy Homans. Binding by Superior Bindery. 384 pp., with numerous duotone plates, printed by Brizzolis, from separations made by Museoteca. 12 x 10 inches. Published on the occasion of the exhibition "Lee Friedlander" at Fundación MAPFRE, Madrid, October 1, 2020 to January 10, 2021 (traveled to C/O Berlin and Centro de Cultura Antiguo Instituto, Gijón).

56. Lee Friedlander: The People's Pictures (Eakins Press). New York: The Eakins Press Foundation, 2021. First edition, first printing. Signed in ink on the half-title page by Friedlander. Hardcover. Full cloth-covered boards, with offset reproduction mounted on the front cover; title stamped in black and gray and red on cover and spine; no dust jacket as issued. Photographs by Friedlander. Graphic design by Katy Homans. Binding by Ramos. 168 pp., with 147 duotone plates, printed by Meridian Printing, East Greenwich, Rhode Island, under the supervision of Daniel Frank, from separations made by Thomas Palmer. 11-1/2 x 12 inches.


OTHER BOOKS & CATALOGUES:

57. Contemporary Photographer (Volume IV, Number 4, Fall 1963): John Brook and Lee Friedlander. Culpeper, Virginia: Contemporary Photographer, Inc., 1963. First edition, first printing. Signed by Friedlander. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs by John Brook and Lee Friedlander. Texts by Hugh Edwards, Anne and Carl Chiarenza, James MacPherson and Ralph Hattersley. 66 pp., with 37 black-and-white plates. 7 x 8-3/8 inches. Scarce.

58. The Nation's Capital in Photographs, 1976: Lee Friedlander (Photography at the Corcoran Series). Washington, D.C.: The Corcoran Gallery of Art, 1976. First edition, first printing. Signed by Friedlander. Soft cover. Saddle-bound, with white wrappers and title printed in black on cover; no dust jacket as issued. 24 pp., with 15 black-and-white plates printed by Rapoport Printing, New York. 8 x 8 inches. Photographs by Friedlander. Preface by Roy Slade. Additional text by Jane Livingston. Includes a catalogue of the exhibition and biography. 8 x 8 inches. This first edition was limited to 3000 copies. Published on the occasion of an exhibition at The Corcoran Gallery of Art, Washington, D.C. Exhibition dates: December 11, 1976-February 20, 1977.

59. Lee Friedlander: Fourteen American Monuments. New York: The Eakins Press Foundation, 1977. ISBN: 0910663092. First edition, first and only printing. Signed by Friedlander. Soft cover. Saddle-stich bound, with photographically illustrated wrappers and title printed in black on cover; no dust jacket as issued. 13 pp., with 14 black and white reproductions. 6 x 9 inches. This publication contains a selection of images from "The American Monument" (ref. #2 above).

60. CMP Bulletin, vol. 1, no. 1, 1981: Lee Friedlander, Charles Desmaris, (University of California, Museum of Photography). Riverside, California: California Museum of Photography, University of California, Riverside, 1981. First edition, first printing. Signed by Friedlander. Soft cover. Saddle-stich bound, with photographically illustrated wrappers and title printed in black on cover; no dust jacket as issued. Photographs by Lee Friedlander. Director's essay by Charles Desmaris. 16 pp., with 16 plates. Includes a list of illustrations. 9-5/8 x 8-3/8 inches.

61. Three on Technology: New Photographs by Robert Cumming, Lee Friedlander, Jan Groover. Cambridge, Massachusetts: MIT List Visual Art Center, 1988. ISBN: 0938437216. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs by Robert Cumming, Lee Friedlander and Jan Groover. Introduction by Katy Kline. Essays by Leo Marx and Alan Trachtenberg. Includes and exhibition checklist. Designed by Judy Kohn. 72 pp., with 15 four-color plates and 50 duotone plates printed by the Meriden Stinehour Press. 9-3/4 x 9-3/4 inches. Published on the occasion of an exhibition at the MIT List Visual Art Center, Cambridge, Massachusetts.

62. Lee Friedlander (Seibu Museum of Art and the Asahi Shimbun). Tokyo: Tadashi Furukawa & Kosei Publishing Co., Ltd., Seibu Museum of Art, The Asahi Shimbun, 1987. ISBN: 4333012708. First edition, first printing. Signed by Friedlander. Hardcover. Fine black silk cloth-covered boards with title blind-stamped on cover and stamped in gilt on spine, with photographically illustrated dust jacket. Photographs by Friedlander. Essays (in Japanese and English) by John Szarkowski, Takashi Tsujii and Koko Yamagishi. Includes a biography (in Japanese and English) compiled by Fuminori Yokoe. Designed by Kazuo Nitta. 132 pp., with 106 black and white plates beautifully printed on matte paper by Dainippon Printing Company, Tokyo. 10-11/16 x 11-9/16 inches. Published on the occasion of the Lee Friedlander retrospective exhibition held in Japan under the auspices of the Seibu Museum of Art and the Asahi Shimbun. One of the least known outstanding monographs of Friedlander's work. Includes a portfolio from the photographer's Cherry Blossom Time in Japan series (previously published only in the 1986 special edition of 25 photogravures (ref. #8 above).

63. The Archive 25: Lee Friedlander: American Monuments (Center for Creative Photography). Tucson, Arizona: Center for Creative Photography, University of Arizona, 1988. ISBN: 9999428878. First edition, first printing. Signed by Friedlander. Soft cover. Photographs by Lee Friedlander. Director's statement by James Enyeart. Essay by Marvin Heiferman. 48 pp., with 63 plates. 11-1/4 x 8-3/4 inches. The Archive 25: American Monuments contains a selection of photographs previously published in Friedlander's The American Monument. It is the 25th installment of the Center for Creative Photography's "The Archive" series, which features work from the center's collection.

64. Lee Friedlander (Pantheon Photo Library). New York: Pantheon Books, a division of Random House, Inc., in association with Centre National de la Photographie, Paris, 1988. ISBN: 0679739572. First English edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs by Friedlander. Introduction (in English) by Loïc Malle (translated from the French by Marianne Tinnell Faure). Includes a biography, bibliography and a list of exhibitions. Unpaginated, with 60 black-and-white plates. 7-1/2 x 4-7/8 inches. From the the series The Pantheon Photo Library: a collection conceived and produced by the National Center of Photography in Paris, under the direction of Robert Delpire.

65. Autoportrait: Photographies de Lee Friedlander. Paris: Centre National de la Photographie, 1992. ISBN: 2867540798. First edition, first printing (modified edition of ref. #31 above). Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs by Friedlander. Text (in French) by John Szarkowski (translated from the English by Jean-Baptiste Medina; English version of this text ref. #53 below). Designed by Robert Delpire. Unpaginated, with 39 plates (38 plus frontispiece), printed by l'Imprimerie Jombart Kapp et Lahure, Evreux, France. 7-1/2 x 4-7/8 inches. No. 6 in the series Photo Notes, under the direction of Robert Delpire..

66. Lee Friedlander (IVAM). Valencià, Spain: IVAM Centro Julio Gonzalez, Generalitat Valenciana, Conselleria de Cultura, Educació i Ciència, 1992. ISBN: 847890915X. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers. Photographs by Friedlander. Introductions and essays (in Catalan and Spanish) by Carmen Alborch, Christian Caujolle and Josep Vicent Monzó. A bibliography is also included. 154 pp. with 116 duotone plates. 9-1/2 x 11-3/4 inches. Published on the occasion of the exhibition Lee Friedlander in 1992 at the IVAM Institut Valencià d'Art Modern. A beautifully reproduced selection of Friedlander's work from most of his important monographs, including Self-Portrait (1970), The American Monument (1976), Photographs (1978), Flowers and Trees (1981), Factory Valleys (1981), Portraits (1985), Cray at Chippewa Falls (1987), Like A One-Eyed Cat: Photographs By Lee Friedlander 1956-1987 (1989), Nudes (1991), The Jazz People of New Orleans (1992) and photographs from the Sonora Desert.

67. Lee Friedlander: People Working (The George Gund Foundation 1995 Annual Report). Cleveland, Ohio: The George Gund Foundation, 1995. First edition, first printing. Signed by Friedlander. Soft cover. Printed cardstock wrappers perforated with a matrix of circular holes on front cover; no dust jacket as issued. Photographs by Lee Friedlander. Includes a list of plates. Designed by Nesnadny + Schwartz. 52 pp., with 49 black-and-white plates by Friedlander. 11 x 9-1/4 inches.

68. Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James. Boston and Montréal: The MIT Press and The Canadian Centre for Architecture, 1996. ISBN: 0262621169. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers with French folds; no dust jacket as issued. Photographs by Robert Burley, Lee Friedlander and Geoffrey James. Edited and with a prologue by Phyllis Lambert. Essays by Paolo Costantini and John Szarkowski. Interviews with the artists by David Harris. Includes a list of plates and notes on the contributors. Designed by Katy Homans. 120 pp., with 46 black-and-white plates and 19 four-color plates. 10-1/4 x 10-1/4 inches. Published on the occasion of an exhibition at the Canadian Centre for Architecture, Montréal.

69. Lee Friedlander: Self-Composed (Janet Borden Gallery). New York: Janet Borden Gallery, 1997. First edition, first printing. Signed by Friedlander. Soft cover. Photographs by Lee Friedlander. 8 pp., with 6 plates. 7-1/2 x 7 inches. Self-Composed was published on the occasion of an exhibition of self-portraits at Janet Borden Gallery in New York City.

70. Lee Friedlander: Retratos. Granada, Spain: Instituto de América de Santa Fe, 1998. First edition, first printing. Signed by Friedlander. Hardcover. Full black cloth-covered boards with title stamped in off-white on cover, with photographically illustrated dust jacket. Photographs by Friedlander. Essays by Carlos Gollonet, R.B. Kitaj and John Szarkowski. Includes an artist's bibliography and list of plates. 94 pp., with 40 plates, plus20 additional black-and-white reproductions, printed in Spain. 9 x 9-3/4 inches. Published on the occasion of the 1998 exhibition "Lee Friedlander" at Instituto de América de Santa Fe, Granada, Spain (traveled to Salas de Santa Inés, Sevilla and Sala del Canal de Isabel II, Madrid).

71. Lee Friedlander: 1960s - 2000s (Rat Hole Gallery). Tokyo: Rat Hole Gallery / Nobuhiko Kitamura, 2008. First edition, first printing. Signed by Friedlander. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs by Friedlander. Produced by Osamu Wataya. Edited by Koko Yamagishi. Designed by Toshio Shiratani (Nomade). Unpaginated (56 pp.), with 37 plates finely printed in Japan by Daishinsha, under the direction of Tsuneo Shinki and Akio Kobayashi. 8-3/8 x 9-5/8 inches. This first edition was limited to 700 copies. Published on the occasion of an exhibition at Rat Hole Gallery, Tokyo. Features excerpts from Friedlander's Self Portrait, Little Screen, Early Works, The American Monument, Portraits, Nudes, Letters from the People, Self Portrait 1990s, Architectural America, Stems and Landscape.

72. Parks and Trees: Lee Friedlander & Eugène Atget. Köln (Cologne): Galerie Thomas Zander, 2008. ISBN: 9783000238802. First edition, first printing. Signed by Friedlander. Hardcover. Brown cloth-covered boards with title stamped in yellow on cover and spine; no dust jacket as issued. Photographs by Lee Friedlander and Eugène Atget. Text in German and English. Edited and with Foreword by Thomas Zander. Essay by Freddy Langer. Unpaginated (64 pp.), with 25 duotone plates. 12 x 9-5/8 inches. Published on the occasion of an exhibition at Galerie Thomas Zander.

73. The Progressive Corporation 2014 Annual Report: Destination Ahead, Looking Back: Photographs by Lee Friedlander. Mayfield Village, Ohio: The Progressive Corporation, 2015. First edition, first printing. Two brochures in one ("Destination Ahead" and "Looking Back") bound back to back. Signed with black ink on the first page of "Destination Ahead" by Friedlander. Soft cover. Illustrated wrappers, no dust jacket as issued. Photographs by Lee Friedlander. Designed by Nesnadny + Schwartz. 48 pp. (including two 2-page gatefolds, with 33 plates by Friedlander. 11 x 8-1/2 inches.

74. Photographs & Drawings: Lee Friedlander & Pierre Bonnard. Göttingen, Germany: Steidl Verlag, with Pace/MacGill and Galerie Thomas Zander, 2015. ISBN: 9783958290884. First edition, first printing. Signed by Friedlander. Hardcover. Paper-covered boards with title stamped in black on cover and spine; no dust jacket as issued. Photographs by Lee Friedlander. Drawings by Pierre Bonnard. Essay by Peter Galassi. 40 pp., with numerous four-color and duotone plates. 9-7/8 x 9-7/8 inches. Published on the occasion of an exhibition at Pace/MacGill Gallery.

75. Double Elephant 1973-74: Manuel Álvarez Bravo, Walker Evans, Lee Friedlander & Garry Winogrand. Göttingen, Germany and Köln (Cologne): Steidl Verlag and Galerie Thomas Zander, 2015. ISBN: 9783869307435. First edition, first printing. Signed by Friedlander. Boxed set of four volumes sharing the following format: Hardcover. Coarse cloth-covered boards with title stamped on cover and spine; no dust jacket as issued; contained in a printed paper-covered slipcase. Photgraphs by Manuel Álvarez Bravo, Walker Evans, Lee Friedlander and Garry Winogrand. Each volume 48 pp., with numerous black-and-white plates. Includes a 32-page booklet with text by Susan Kismaric. 14 x 11-5/8 inches.

76. Arbus Friedlander Winogrand: New Documents, 1967: Diane Arbus, Lee Friedlander, Garry Winogrand, John Szarkowski, Sarah hermanson Meister, Max Kozloff. New York: Museum of Modern Art (MoMA), 2017. ISBN: 9780870709555. First edition, first printing. Signed by Friedlander on the title page. Hardcover. Black cloth-covered boards with title debossed on cover and stamped in silver on the spine; with photographically illustrarted dust jacket. Photographs by Diane Arbus, Lee Friedlander and Garry Winogrand. Text by John Szarkowski. Foreword by Glenn D. Lowry. Essays by Sarah Hermanson Meister and Max Kozloff. 168 pp., with 94 black-and-white plates. 10-1/2 x 9 inches.

77. Lee Friedlander: The Little Screens: Lee Friedlander. London: Afterall Books, 2015. ISBN: 9781846381584. First edition, first printing. Signed by Friedlander on the reproduced title page of the original “The Little Screens” picture essay published in 1963 in Harper’s Bazaar. Softcover. White photographically-illustrated wrapper. Photographs by Lee Friedlander. Essay by Saul Anton. 112 pp., with 32 black-and-white plates. 8-1/2 x 6 inches.

78. Lee Friedlander: The Printed Picture: Lee Friedlander. New York: The Eakins Press Foundation in association with The Pratt Institute, 2014. First edition, first printing. Signed by Friedlander on the title page. Softcover. White and blue photographically-illustrated wrapper. Photographs of book covers by Lee Friedlander. Essay by Stephen Hilger and Peter Kayafas. Designed by Katy Homans. 32 pp., with numerous four-color plates. 9-1/2 x 6-3/4 inches. Published on the occasion of an exhibition of books at The Pratt Institute, Brooklyn Campus Libraries.

79. Cray at Chippewa Falls Preview. Minneapolis, Minnesota: Cray Research, Inc., 1987. First edition, first and only printing. Signed by Friedlander (recent signature). Soft cover. Four-page "Preview" publication, with 2 black and white plates, in matching stiff wrappers with self-closing flap. 12-3/8 x 11-5/8 inches.

80. Lee Friedlander (Fraenkel Gallery, Soft Cover Trade Edition): Lee Friedlander. San Francisco: Fraenkel Gallery, 2000. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers. Photographs by Lee Friedlander. Text by John Szarkowski. Designed by Catherine Mills Design, Seattle. 96 pp. with 77 plates printed by Meridian Printing, Rhode Island from duotone separations made by Richard Benson. 9-1/4 x 9-1/8 inches. This first edition was limited to 3300 total copies, of which 600 hardcover copies were signed and numbered for the limited edition.

81. Wanderlust: Linda Connor, Keith F. Davis, Ed Grazda, Richard Pare, Stuart Klipper, Mitch Epstein, Rosalind Solomon, Lois Conner and Lee Friedlander. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs by Linda Connor, Ed Grazda, Richard Pare, Stuart Klipper, Mitch Epstein, Rosalind Solomon, Lois Conner and Lee Friedlander. Text by Keith F. Davis. 92 pp., with four-color and black-and-white plates throughout. 9 x 12 inches. Published on the occasion of a traveling exhibition organized by the Hallmark Photograph Collection. This first edition was limited to 4700 copies.

82. Close Up Magazine (Volume 15, Number 1, Winter 1985: Special Double Issue, "The Spirit of Sport”): Lee Friedlander and others. New York: The Ecco Press, Polaroid Corporation, 1985. First edition, first printing. Signed by Friedlander on Page 93. Soft cover. Photographically illustrated stiff wrappers. Photographs by Lee Friedlander accompany an article by Leonard Michaels called "A New Order of Flesh." 122 pp., with four-color photographs throughout. 12 x 9 inches.

83. Friedlander First Fifty. Brooklyn, New York: SPQR Editions and Haywire Press, 2019. First edition, first printing. Signed by Lee Friedlander, Maria Friedlander, Anna Roma and Giancarlo Roma. Hardcover. White photographically-illustrated laminated paper-covered boards; no dust jacket as issued. Photographs by Lee Friedlander. Introduction by Giancarlo T. Roma. Designed by Anna Roma and Marvin Hoshino. Includes an index of photographs and list of titles. 176 pp., with duotone plates throughout. Printed by Industria Grafica Si.Z., Verona, Italy. 8-3/4 x 9-1/4 inches.

84. Lee Friedlander: Framed by Joel Coen. San Francisco: Fraenkel Gallery, 2023. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Full forest green cloth-covered boards, with offset reproduction mounted on the front cover; title stamped in lime green and orange on cover and spine; no dust jacket as issued. Photographs by Friedlander. Edited and Introduction by Joel Coen. Afterword by Frances McDormand. Graphic design by Katy Homans. 136 pp., with 70 tritone plates, beautifully printed by Trifolio, Verona, Italy. 12-3/4 x 11-3/4 inches.